Real Music & Real Estate . . .

I followed klezmer clarinetist Sid Beckerman around KlezKamp — the annual music conference in the Catskills. Sid talked to me. Big deal? Yes. Sid was paid staff, and I was just a paying student. Staff had a lot of demands on their time.

Sid had no ego. Sid was “discovered” by klez revivalists and made his first record at age 70. (He died in 2007 at 88.) Sid had a proprietary book of his own tunes. The book was nicknamed “the sheets,” short for “sheet music.” Sid’s sheets were guarded — quarantined — by pianist Pete Sokolow, who had transcribed the tunes.

Sid Beckerman 1998

I wanted a copy of the sheets, so I gave Pete a xerox of a 1938 magazine article about “Bay Mir Bistu Sheyn,” hoping to get in Pete’s good graces. Pete was not impressed. He said, “The sheets? What sheets? I’m so busy. I’m working up an arrangement for fifteen people. What did Sid say?”

Sid said, “What transcriptions?”

I offered Sid $20 for the sheets, which he turned down.

A year later, 1991, the sheets came out as the Klezmer Plus! Folio by Tara Publications. Everybody could now buy the sheets. Pete and Sid had just been protecting their intellectual property.

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Brian said he was good for the rent. He said, “I’m not like that [a deadbeat]. I pay. I’m an artist. I have $750 tied up in PayPal right now that won’t be released.” His paintings were dark and red like Franz Kline’s. He didn’t pay and I evicted him. The good news: he paid after the legal hearing, so he stuck around. I said, “Modigliani didn’t pay his rent either.”

“The guy who did the long faces?”

“Yep.”

Brian didn’t pay his rent the next month, so I evicted him again, and this time he moved  out, and left a wall of splattered paint, like Jackson Pollock. Also, he wrecked the bathroom floor because he never used the shower curtain. He left one painting, which I offered to the building manager.

The bailiff bumped into me at the city court and said, “Your tenant knocked over a couple display shelves in Drug Mart and is under psych observation for a couple weeks.”

“He’s already out of my apartment,” I said.

I told an employee about Brian. This worker liked to stay up-to-date on horror stories. The employee said, “There are two sides to this. Everybody is mentally ill.”

“He sold paintings in Germany on the internet,” I said.

“Everybody is a star on the internet. There are two sides.”

At least.

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The clarinet can injure your right thumb, which holds a disproportionate amount of weight when you’re standing. I had a pain in my thumb that lasted one and a half years. I drove to Cincinnati to see a specialist. Then I did Alexander Technique and every other technique short of amputation. The clarinet is not only the licorice stick, it’s also the agony stick.

Here are another couple reasons the clarinet is the agony stick: The fingering patterns for clarinet are harder than sax, and the clarinet has the “break,” the awkward leap from A to B in the middle register. And the clarinet sounds horrible the first year or two you play it. I asked a sax guy in a big band if he played clarinet. He said, “I have a clarinet.”

—–

Theodore “Toby” Stratton, age 67, 1984.

Hey, I have something else for you to read. My latest essay in City Journal.
The essay, “Beating My Dad,” is about how I hope to outlive my father.

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The bride can ditch her own wedding. She gets the flu, or a headache, or a swollen ankle, and lies down for a few hours. Misses the whole party. Or what if the mom dies during the “Chicken Dance”? That happened. Not at my gig, but at my video guy’s gig. Did he get it on tape? I don’t know. My video guy died.

The video guy had a video rack which I called the Tower of Power. He barely budged from the rack the whole night. That bugged me. For instance, when Yiddishe Cup strolled table-to-table taking requests, the video guy would tell me which tables to go to. Like “Can you do the head table next?”

I thought to myself, “Why should I do the head table next? I’m in charge of this band.” I told him no. The head table was nowhere near us, but it was near the Tower of Power. I said, “Why do you want me to go over there now?”

“Because I want to sit down,” he said.

Screw that.

“I’ll remember this when you want a favor,” he said.

Then he died. I didn’t know he was gravely ill.

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I like the woman who beat James Holzhauer on Jeopardy! Monday night. I think she’ll go far. (If she lost last night, please ignore this paragrah.)

When my kid Ted — he was 23 at the time — won on Jeopardy!, our family had to keep his wins a secret for a few months. If the news got out, Ted wouldn’t get the money, for one thing. Jeopardy! tapes its shows a couple months in advance. How does Jeopardy! keep the taping results a secret? [Maybe Robert Knecht Schmidt will read this “Klezmer Guy” post and tell us. He’s a former J! contestant and expert.]

Relevant to this — today’s date, June 5. For Ted’s second game, the Final Jeopardy category was Middle Eastern Affairs, and the “answer” was “The Arab-Israeli War that started on June 5, 1967, ended with a cease-fire on this date in Israel.”

Ted knew about the Six-Day War, and so did the two goys who rounded out the panel. I — watching at home — did some easy math; I added 6 to June 5 and got the answer: June 11.

Wrong, Pops. It’s June 10. (Use your fingers to figure out the right answer, and while you’re at it, check out the math concept “fencepost error” on Wikipedia)

Ted answered correctly, and the others got it wrong. I have never been more flabbergasted.

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When Allen Ginsberg visited my college poetry class in 1969, he said we only had five years left. He said, “I’m afraid to read the papers.” And he said Burroughs claimed we had less than five years.

Mark Schilling (L) and Bert Stratton. 1970, hitchhiking from Cleveland to A2. Sign reads “Ann Arbor.”

How was I supposed to get through pre-med if the world was ending? The Ann Arbor Bank sign read 15 degrees. The sign at the First United Methodist Church was “Are you going through life with a kindergartner’s conception of God?” Probably. Ginsberg had a beard.

The first Earth Day was in April 1970. People suddenly were talking about duck-down and goose-down sleeping bags instead of the Vietnam war. I bought a bag for $35. The feathers kept coming out the seams. It was sewn-through, so where the thread was, there was no down. The seams were supposed to keep the down from rolling down to one end. It didn’t work too well. I couldn’t even turn in it. It was called a mummy bag. I felt dead. But the world didn’t end.

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This blog has been around 10 years. Sometimes I think of hanging it up, but then I post a rerun and carry on. Over all, I enjoy writing the blog.

If I hadn’t started the blob, I wouldn’t have had any op-eds in national publications. My first New York Times piece  — about my mom shopping at Heinen’s — was written for this blog, but then I figured, hey, why not first send it to the Times for Mother’s Day. I sent it to “oped@nytimes.com,” and bingo, millions of people read the op-ed, including my ex-girlfriends, long-lost college and high school friends, Obama, Kissinger, and Dylan (or so I imagined).

My mother and father at Ohio Stadium, 1959.
Julia and Toby Stratton

Some people don’t want to be in this blog. I once showed a friend a rough draft about him, and he said, “I’m a private person. Please don’t run that.” And the piece was all flattery, too. Another time, a woman asked me to delete a post about her because she didn’t want me to be remembered the way I remembered her.

I started the blob to leave footprints in the sand, as the great Mileti said about his arena at Richfield, Ohio. I wonder if my kids, after I’m gone, will pay GoDaddy to keep the electricity on at this site. I doubt they will, and I don’t blame them. I might quit this blog at any time. Just a heads-up. I don’t owe you a 30-days’ written notice.

Thanks to everybody who write comments. Have you noticed how it’s 90-percent guys who comment?

The hard-boiled reason I started the blog: to promote Yiddishe Cup’s 2009 CD, Klezmer Guy. (Buy the CD here.) What’s a CD? What’s a blog?

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A Yiddish singer from Massachusetts used to skewer fellow Jewish musicians on the internet for performing in Germany. One of the singer’s lines was “Nobody looks good in brown lipstick.” (Meaning, don’t kiss German tush.) “Heaven forfend that any unpleasantness intrudes upon your pursuit of the deutschmarks.”

Nevertheless, most American klez bands wanted to play in Germany. Yiddishe Cup wanted to. A klez festival in Fuerth, Germany, said the festival committee was looking forward to a Yiddishe Cup appearance. Then the festival switched leaders, and I didn’t hear from the organizers for a long time. I emailed a few more times. No answer. Finally, I phoned Germany and asked the receptionist, “Do you speak English?”

He said, “I’ll give it a try,” in easy-breezy English. His only bad line was the last: “Ve vill not be needing you.”

But let’s not forget, Yidd Cup has played abroad: the Windsor, Ontario JCC.

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I shot a cow because it was crippled and couldn’t walk. Then my dad sold the dead cow to the Amish for meat. We couldn’t sell it to anybody else because it wasn’t “choice.” My dad loved everything about cows: barns, ice cream, blintzes. He had me throw baseballs against the side of  the barn like Bob Feller used to. My dad thought I might be the next Rapid Robert. Didn’t happen.

I planned to attend Ohio State to major in dairy science, but my high school buddies — all non-dairy types — talked me into Michigan, where I majored in diary science (creative writing).

After college I spent a year in Israel at a kibbutz milking cows in the refet (dairy barn). I like unpasteurized milk, but it’s hard to find. I like ordering milk at bars. Women love that. They say, “James Cagney!”

I have zero tolerance for the lactose intolerant.

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“Don’t play any klezmer music, nothing ethnic,” the mayor’s assistant said. Why did the city hire Yiddishe Cup?

Our contract rider stipulated a fruit platter, bottled water and diet colas. A good gig, food-wise, but what were we going to play? I said, “You don’t want to alienate anybody with ethnic music?”

Wolf & Hake Soltzberg (with  daughter). Ukraine. Bert’s great-grandparents

“That’s the mayor’s thought,” she said.

“How much non-ethnic music do you want?”

“All or mostly.”

“Can you give me a percentage?”

“Ninety-percent American music,” she said.

It was an Orange Jews crowd. With pulp. About 90-percent Jewish. (Orange, Ohio.)

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There was fervid heckling at the 2018 Workmen’s Circle concert. The show, at Cain Park in Cleveland Heights, featured Yiddishe Cup / Funk a Deli. The emcee was Michael Wex, author of Born to Kvetch. Wex is a kamikaze raconteur. He takes chances with his monologues, playing with self-immolation. Wex wears elves shoes to bring him luck. The shoes curl up at the tips.

The Yiddish-concert audience can be unforgiving, maybe because the show is free and attracts all types. One year Josh Dolgin, aka Socalled, was heard backstage saying, “Why do they bring freaks like me here!” Maybe Dolgin was having second thoughts about how the AK crowd would respond to his hip-hop klezmer. The Cleveland audience is mostly baby-boom AKs, plus a few genuine WWII types, and some Russians and Orthodox. Every year there are fewer bodies at the show. Six-to-eight hundred is a typical turn out. Used to be around 2,000.

Miguel Wex

At last year’s concert, a man interrupted Wex with “When’s the music start!” Wex was discussing hok a tshaynik and how it related to funk (as in Funk a Deli). Wex told the heckler, “This is the music, schemdrick!”

Wex also did a comedic bit about fat Hasidim. (Before the show, Wex had noticed some yarmulkes in the crowd and wondered if his shtick would fly. He told me his humor had gone over well with frum Jews before.) In his monologue, Wex said many Hasidim don’t exercise but do seem to like to push. Wex said the inventor of Roller Derby, the late Leo Seltzer, was a former Hasid. Wex said if four Hasidim gathered in opposite corners of the Cain Park amphitheater, the four Hasidim would eventually meet in the middle of the theater and push each other. Wex said he had been to Japan (not true) and wanted to start a new sport, Frumo. A concertgoer stood up and yelled, “Stop it. Stop it right now!”

Wex said, “This is what I get paid to do. You don’t have to listen to me if you don’t want to.”

We were witnessing a Lenny Bruce reenactment — for free yet.

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I couldn’t get Alice, my wife, to go to KlezKamp. I went without her (1989). I took our kids Teddy and Lucy, and spent a lot of time in the game room and swimming pool that year. The pool was slightly larger than a silver dollar, and you had to coat yourself with skin cream, or get a rash. The kids and I went to New York City afterward. Lucy, then 5, made me carry her everywhere. We weren’t going too far. We ate at Popeye’s on Times Square.

When we got back to Cleveland, my wife said, “The kids look anemic!” But we ate beans and rice and lemonade at Popeye’s, Alice! (The kids weren’t crazy about the borscht and herring at KlezKamp.) Alice never trusted me with food-and-kids.

The next year Alice came to KlezKamp, and we brought the entire family, including toddler Jack. Alice took folk dancing classes but the sessions weren’t enough exercise for her. She found an indoor tennis court which was dusty and dark, like playing in a parking garage.The balls turned gray in a minute. Also, we went skiing on Christmas. I thought the slopes would be empty. No, a lot of Asians and Jews were there. Also, we sneaked into The Pines resort for ice skating. The Pines was a 1950s Borscht Belt movie. Trivia contests in the lobby.

We kept going back to KlezKamp, and every year Alice would complain, “I can’t believe we’re going to KlezKamp again!” After 12 years, we hung it up. Alice had learned all the dances, the kids were thoroughly brainwashed with klez and Yiddishkeit, and I had met all the old klez guys: Max Epstein, Felix Fibich, Danny Rubenstein, Velvel Pasternak, Paul Pincus, Leon Schwartz, Ray Musiker, Ben Bazyler, Sid Beckerman, German “That’s Herman in Russian” Goldenshteyn, Howie Leess and Elaine Hoffman Watts. KlezKamp was great.

Jack, drums, Lucy, clr, KlezKamp 1993.

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I knew a college counselor who if he put in a good word for you, you were in. Harvard, Yale, Harvey Mudd, Deep Springs. That’s what we parents all thought, but the counselor didn’t produce every single time. He said go to a college that was a “good fit.” He, himself, went to Harvard, always a good fit for a college counselor.

Here’s my approach — and  a tip for high schoolers. Describe a setback you have faced. “My parents don’t like klezmer music. They are so wrong. I’ve been playing klezmer my whole life. It has made me think for myself and be my own person.”

I attended a college-rejection shiva in 1968. A high school friend was rejected by every college he applied to. He got in nowhere! And he was in the top 10 in our class. (We’re pretty sure, in hindsight, the guidance counselor blackballed him.) We sat in a corner booth at Corky & Lenny’s and drank chocolate phosphates. My friend eventually got in to Ohio State on a late application. OSU had rolling, open admissions. In Columbus, my friend lived in a high-rise dorm with 16 guys per suite. It was not exactly the house system at Harvard.

My dad with his dormmates at Ohio Stadium, about 1935. The men lived in the stadium. All in one room, on cots.

—
Yidd Cup / FAD (Funk a Deli) is at Park Syn, Pepper Pipes, Ohio, tonight (March 20) at 7:15 pm. Free. Happy Purim!

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Do I get new plates or keep my 2003 Ohio bicentennial plates?

Whichever is easiest.

Entering the Bureau of Motor Vehicles, I had Harvey Pekar-level anxiety. But I lucked out; I was a plate transfer, not a new driver’s license, so I got to skip to the head of the line.

I had bought a Subaru Legacy and sold my Ford Fusion. Both cars are red, so nobody knows I have a new car. A disappointment. I wanted a blue car, but the Subaru Legacy doesn’t come in blue. I refuse to drive gray, silver, black or white. I miss the purple on the Plymouth Duster.

I was in and out of the BMV in 15 minutes. Can you beat that? I accidentally left one of my plates on the counter and a clerk ran out, yelled “sir” at me, and handed me the plate. I said to her, “At least I got you outside! Thanks.” It was 20 degrees and snowing. She said, “I don’t want to be outside.” The BMV. I miss Harvey Pekar.

Not my plate, btw.

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Howard Metzenbaum was a big name in my father’s generation. Metzenbaum made millions in parking lots, and eventually became a U.S. senator. My father and Metzenbaum were born the same year, 1917, in Cleveland. My dad didn’t know Metzenbaum but enjoyed following his career.

Metzenbaum, in his later years, owned a condo at Three Village, the holy of holies for upscale living on East Side Cleveland. The building went up in 1978 near Cedar Road at I-271. The Three Village condo development was wooded and secluded. My parents lived nearby, at the Mark IV apartments (now called the Hamptons). My parents liked brand-new housing; they weren’t keen on used. Everything had to be shiny and new, maybe because they grew up in poverty.

Across from the Mark IV was Acacia on the Green — a step up, rent- and prestige-wise, from the Mark IV. Next to Acacia was Sherri Park, a step down. Across from Sherri Park was Point East, a step up from Acacia but down from Three Village. These buildings all went up in the 1970s and were popular with my parents’ generation.

My parents never went inside Metzenbaum’s building. I did. I visited a rich friend who bought a condo in Three Village. Metzenbaum was long gone — dead as of 2008. The building’s buzzer directory read Maltz, Mandel, Ratner, Risman, Weinberger and Wuliger.

Maybe you have to be an old Cleveland Jew to appreciate that. If you’re not an old Cleveland Jew and have read this far, please explain why.

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Jim Guttmann, the bassist in the Klezmer Conservatory Band, said his biggest thrill is playing nursing homes. Guttmann, who has toured the world, said nursing home residents appreciate him the most.

I don’t know about playing Europe, but I do know about nursing homes. I’ve played a lot of them. If you don’t play “Tumbalalaika” and “Bay Mir Bistu Sheyn,” don’t bother showing up. Humor — at least my brand — doesn’t go over at nursing homes. I once did a comedy number at a nursing home, and an old man in a wheelchair interrupted, “Play music! Sit down!” I was flustered. I blurted out, “I’ll sit down when you stand up!” That quieted him.

When I go to a concert, I often feel like yelling “talk!” at performers. I don’t go for the Bob Dylan no-talk model. Say something between songs, and make it interesting. Don’t just say, “My next tune is . . .” Tell the audience about your favorite candy bar — anything.

I had a Snickers bar recently in Peru. There was this snack shop on a remote mountain trail. I was walking toward a water fall and this Snickers appeared. (Shut up and play.)

This is a Snickers from 1981, in Cleveland. Vendor is John Lokar.

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I wrote “penal burning” on a canister of Cleveland Clinic pills. I should have written “penile burning” but my spelling skills — which are usually pretty good — were down. I was in the recovery room at the Clinic.

I like medical stories. Here’s mine: I went into the hospital for bladder stones and to “open a channel in your prostate,” to quote the urologist. The surgeon used a laser up my urethra for about 2 ½ hours in the OR and then sent me to the recovery room, which in my case was a bed with a curtain around it. It wasn’t a bad room. It was like business class on an airplane, I suspect — a fully reclining bed, nurse/attendant on-call, decent food, and chatter from neighbors all night.

The “penile burning” Rx came the next day, when I was discharged. The doctor — a resident — told a nurse about it. I overheard them discussing “penile burning” outside my cordoned area. “Penile burning” caught my attention. The resident should have told me directly about “penile burning.”

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I’ve played Perchik and Tevye in Fiddler on the Roof. Mostly in small-town gigs. The regional theater directors often ask me to discuss Jewish stuff with the cast, like about yarmulkes and the breaking of the glass, and chair lifting. I make up stuff. I’ve heard rabbis make up stuff, too — particularly about the glass breaking. There are many reasons why the glass is broken. All bobe mayses.

When I’m not acting, I do a one-man show. I play guitar, hand drum, even harmonica, and I sing. And I use backing tracks. I know some Yiddish, too.

Here’s a promo pic. I use it sparingly now that I’m 65  . . .

I should advertise in the back of Hadassah magazine like Ruth Kaye and Caryn Bark. Who are they? Who am I? I live in Cleveland and play the nursing home circuit. I went to Brush High. I’m married with adult children. I spend about six weeks every winter in Florida. I’m in Sarasota today. I’ve played Tevye a dozen times. I’ve also played the lead in Jesus Christ Superstar.

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Cleveland is in the middle of the cereal belt. Shredded Wheat of Niagara Falls, New York, is to the east, and to the west is Kellogg’s of Battle Creek, Michigan. Shredded Wheat moved from Niagara Falls years ago, but the cereal belt remains. Cleveland is the buckle.

I eat cereal just about every day. Nothing too sweet. Cheerios, Shredded Wheat, Weetabix. Blueberries added, maybe. You don’t care.

I had a prospective tenant who wanted to open a cereal store. He opened down the street and went under almost immediately. He was Cereal Central or Cerealicious. I don’t remember. Nobody in Cleveland wanted to eat cereal in a store. (He also had a store in Columbus near Ohio State. Apparently, OSU students in pajamas were willing to eat cereal in a restaurant.)

Most people like to eat cereal alone and not talk about it.

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When Rich Greenberg and I were in high school, tennis was a tree of life to them that lay hold fast of it. Rich shoveled the snow off the courts at Cain Park in Cleveland Heights. Nuts. He played so well he wound up on the UC-Santa Barbara team. I waited six months every winter for spring tennis. I wasn’t going to shovel courts.Think about it: no snow blowers in the 1960s, and the courts had to be perfectly dry.

Contemplating tennis — and not playing — was like practicing music without an instrument. It was doable, but not much fun. I owned Bill Tilden’s book on singles and Gardnar Mulloy’s doubles book. There was no tennis on TV. We didn’t have access to indoor courts.

Tim Gallwey’s The Inner Game of Tennis (1974) recommends watching the spin on the ball. Focus on the rotation of the ball’s seams. The author of The Inner Game of Music said something similar. Focus. I can’t remember on what. (Not as good a book as Inner Tennis.)

When I play a concert, I sometimes focus on an imaginary green cot as a mental image. The cot is an emergency-shelter Red Cross cot. Keeps me calm.

When I was a sub on a gig, the bandleader shouted at me: “Listen!” Meaning “Listen to the music!” Maybe I was distracted by the hors d’oeuvre.

In my twenties — after college — I thought tennis was dumb. Two adults hitting a ball over a net. That was not solving any problem. I hung out with Rich at his tennis pro job in Rocky River, Ohio. Rich said he couldn’t teach the middle-aged women — the 35 year olds — anything new. He said, “I wish tennis hadn’t boomed. It would force me to do something else.” He spent time arranging inter-clubs between “our girls” and Lorain. He eventually moved to Seattle and did something else. Insurance, for one thing. And he plays harmonica in a blues band.

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