Real Music & Real Estate . . .

Jack Saul was a major-league record collector. You couldn’t find a seat in his house unless he moved a ton of records. Every time he played a record he’d clean it with Windex. No scratches. Smooth-h-h.

He didn’t throw anything out — since day one. He even had a John McGraw baseball card. (McGraw played 1891-1906.) When I sold my baseball cards in 2007, Jack said, “Why’d you do that?” (I wasn’t looking at ’em, Jack, and my kids didn’t want ’em. They didn’t know who Harmon Killebrew was.) “Why’d you do that?” he repeated.

The Cleveland Jewish music scene was all about Jack Saul. Musicians from the Kleveland Klezmorim went to Jack’s house in the early 1980s to record 78s. Those 78s were pristine. When Boston public radio (WGBH) did a show in 2000 about Mickey Katz, they came to Jack for clean recordings. Jack never let a record out of his house. You had to sit there for an hour, or two, and have him dub the records onto tape.

He always had time for musicians. The first time I went to his house, in 1988, I recorded cuts from Music For Happy Occasions, Paul Pincus; Jay Chernow and his Hi-Hat Ensemble; Dukes of Frelaichland, Max Epstein; Jewish Wedding Dances, Sam Musiker; Twisting the Frelaichs; and Casamiento Judio, Sam Lieberman. That last one was an Argentinian klezmer record! Jack had almost every Jewish record. And he had it in both monaural and stereo.

Jack’s favorite popular musicians were Guy Lombardo and pianist Irving Fields. Jack liked musicians who, when they improvised, stayed close to the melody. He phoned Fields when I was over. “What’s new, Irving? I’d like to get you to Cleveland.” Never happened. Everybody talked to Jack, because for one thing, he could supply them with recordings of their own works that they, the musicians, couldn’t even remember making.

Jack had a thing for Guy Lombardo. Jack’s thesis was Guy Lombardo was behind “Bay mir bistu sheyn”s popularity. Jack gave me an article from The New Yorker, Feb. 19, 1938, titled “Everybody’s Singing It — Bie Mir Bist Du Schoen. Played on the air for the first time by Guy Lombardo, Radio Made it the Nation’s No. 1 Hit.”

Jack liked my band, Yiddishe Cup. (He also liked Steven Greenman, Lori Cahan-Simon and Kathy Sebo — Cleveland Jewish musicians.) At a meeting of the Workmen’s Circle Yiddish concert committee, Jack said, “We’ve got talent in this town. We don’t always have to run to New York [for entertainers].” That meant a lot to us locals.

When Jack talked, the rest of the committee listened. He had a stellar rep — Cleveland Orchestra and Sir Thomas Beecham Society credibility. Jack had every Beecham recording. That classical-music imprimatur really cut it with the older klezmer crowd.

Flip side: the rough-edged 78 recording of Abe Elenkrig’s Orchestra playing “Di Zilberne Chasene” (“The Silver Wedding”). Jack had thousands of records like that. Gritty. But not a scratch.

Jack Saul made Jewish music in Cleveland.

Jack died in 2009 at age 86, and his records went to Florida Atlantic University.

—

P.S. A lot of this post was first published in the Cleveland Jewish News in May 2009, but it never got online at the CJN. So by local, contemporary standards, the story doesn’t exist. Does now!

P.P.S. Here’s a comment by Hankus Netsky, leader of the Klezmer Conservatory Band, posted on the Klezmershack website in May 2009:

“What a great guy Jack was. By the way, I’m the one who sent WGBH to Jack’s house for the Mickey Katz records. Before our tour with Joel Grey’s Katz review, ‘Borscht Capades,’ in 1994, I had visited Jack, who had made me the ultimate Katz compilation. We couldn’t have done the show without those recordings — Joel himself had never heard a lot of them!

“Besides the records in every corner (but not in the kitchen, the one concession to his loving and remarkably tolerant wife), the other amazing thing were the front walls of the house that had been hollowed out and replaced with speakers of every shape, size, and frequency.

“A great loss. I sure hope they have a good hi-fi up there . . .”

share

One fun thing to do in Latin America is buy prescription drugs off the shelf at the local drugstore. Last month I forgot my prescription pills and was in Guatemala. I emailed the Cleveland Clinic. They said it was OK for me to skip my Lipitor, but the Clinic thought I should stick with my blood-pressure medicine. But that drug (trade name Bystolic) is expensive and hard to find, even in the U.S.

I went to a farmacia, and bingo, they had it. Not called Bystolic. The Latin version is from Argentina, but the same drug. And they had a Lipitor-clone from India. Then I looked for some aloe vera because I had a sun burn. No go. I found aloe vera somewhere else. Finally, I bought some pepto-abysmal.

Just yank the Rx drugs off the shelves. My first time was in El Salvador in 1973, when my asthma inhaler ran dry, and I walked into a pharmacy and got a canister. I used that canister for the next twenty years. I have faith in expired meds.

I also bought some baby aspirin in Guatemala. The standard down there is 100mg instead of 81mg.

I wouldn’t mind running a farmacia in Latin America. Maybe next time around.

My present inventory:
1) 5 mg nebivolol, trade name Nabila. Same as American Bystolic. Made in Argentina.
2) 40 mg atorvastatin, trade name Atorgras. Same as Lipitor. Indian-made.

—
Want more Guatemala? Check out my article “My Guatemalan Vacation” in City Journal.

share

Snickers was my candy bar. I also had a taste for Nestle Triple Deckers. Long gone. My wife, in her youth, liked Valomilks. She bought one a few years ago at a specialty store and didn’t like it. Too sweet.

My dad was big on Planter’s Peanut and Mr. Goodbar. I used to buy a Mr. Goodbar before visiting his grave.

Canada, that’s a great candy vacation. Kit Kat, not bad.

Chunky . . . I miss the idea of Chunky. I liked the Arnold Stang Chunky commercials.

Anna Soltzberg, my grandmother, ran a candy store at 15102 Kinsman Road, Cleveland, from 1927 to 1937. Here’s some of her the inventory: Mr. Goodbar, Sensen breath mints, Boston Wafer, halvah, Coca-Cola, peanut bars, chocolate-covered cherries, Uneeda biscuits, Dentyne, Lifesavers, Tootsie Rolls, Oh Henry, and cigars such as White Owl, Dutch Master, Websters, Cinco, Murad, John Ruskin and Charles the Great Pure Havana. (I got these brands from studying a photo of her store with a magnifying glass.) Candy stores were a common first business for immigrants.

When did Snickers first come out?

[Googled.] 1930. Frank Mars named the bar after his horse.

Reese. Who was Reese?

—

Here’s my Sunday Plain Dealer essay about playing gigs and not playing gigs. “The gigs disappeared. Now it’s all just talk.”

Irwin Weinberger and I played a nursing home yesterday. It was our first indoor gig in front of a live audience in 14 months.

share

My mother, Julia, wanted herring and a third of a pound of pastrami, sliced thin. I went to Heinen’s supermarket and got it for her, and she died the next day.

I regularly shopped for my mom while she was in assisted living. She didn’t want to exist solely on the kosher food at the Jewish facility. (That’s a common complaint of the non-Orthodox.)

Occasionally my mother came with me to Heinen’s. She got the motorized Dodgem cart. She wasn’t a great driver. She had Parkinson’s.

She schmoozed with the clerks and checked expiration dates on cole slaw. She always taught me something; in the cereal aisle, she once told me, “You get the most weight for your money with shredded wheat.”

She liked Pepperidge Farm Milano cookies and Pringles potato chips. She could eat anything. I had to buy her Boost to gain weight.

I liked the snack aisle at Heinen’s, and I liked having an excuse to go there. What kind of Milanos should I get? There were seven varieties. What kinds of Pringles? There were 15 choices. I was shopping for junk for health reasons.

She once wanted me to ask for “Jewish tongue” at the deli counter, because she couldn’t attract the clerk’s attention; she was seated too low in her motorized cart.

I said, “Jewish tongue, please!” That’s the only time I ever said that.

My mother had served tongue when we were growing up. It was bad then, and it’s bad now.

Toward the end, nothing tasted good to my mom. Everything was too spicy, or not spicy enough. The only thing that worked was shrimp cocktail. She had no taste buds left. That was about her only complaint in her last years. My mother wasn’t a kvetch.

I continued going to Heinen’s after she died in 2004. But I don’t go into the center aisles often where the junk food is; I hang around the “healthy choice” perimeter.

My visits to Heinen’s are like mini-yahrzeits for my mother. Pringles: Mom. Pepperidge Farm Milanos: Mom. Jewish tongue: Mom. That last one, I still have trouble with.

—

The above essay appeared in the New York Times 10 years ago. I sent it to “oped@nytimes.com” with the subject line “here’s one for mother’s day.”

—

Julia Stratton (1920 – 2004). 1953 photo. Leslie (front) and Bert.

share

The Intakes, a boys club, was a throwback to a Depression-era, settlement-house group. The Intakes met at the Mayfield Road JCC, a successor institution to the Depression-era Council Education Alliance. The Intakes’ purpose was to keep teenage boys off the streets, which wasn’t too hard because, in our case, we studied so hard we rarely went out.

The Intakes president had a regular excuse for not partying on Saturday night: “I’ve got too much homework.” One summer he got a grant to study the crystal structure of molecules at a university. He did his undergrad at MIT, then went on to med school.

The Intakes didn’t “intake” girls. We played poker, miniature golf, bowled and held meetings. Our advisor was a social worker from New York. He often called us schmucks, which we found endearing. We talked about where to spend our money, earned by selling salamis and Passover macaroons. Should we go to New York or Washington?

We rode the Hound to New York and visited the Statue of Liberty, saw Jeopardy live, and ate at Katz’s Deli. I bought Existentialism Versus Marxism in a Greenwich Village bookstore. I haven’t finished it yet.

The Intakes folded after twelfth grade. There are some other ancient-history Jewish boys clubs around town. I heard of one the other day, the Regals. They were from Kinsman. They were a generation older than my guys. The Regals are truly out of business.

Intakes, 1967. Poker game.

share

I had a part-time job dealing with my back pain. I enrolled in a three-month Cleveland Clinic program for back-pain sufferers. It was a group class. Rule #1 of the class: Nobody wants to hear about your back pain. #2: Never say “pain,” it’s “discomfort.”

To get rid of back pain, I would have paid 400K.  I would have walked down Euclid Avenue naked. I would have . . . [fill in the blank]. Philosopher Viktor Frankl said how you deal with your suffering is one way to define your life. I would have bribed and cheated — for starters.

My back-class classmates were mostly whiners (like me). One woman said she lay in bed all day, using ice packs. Another used a heating pad and lay in bed all day. The group psychologist said, “What do you do to get out of your stupor?” Classmates said they lie in bed.

After class, I met a friend for lunch and said, “What a great day. It’s sunny out.” I was just doing my cognitive behavioral therapy (CBT), circumventing my usual glass-half-empty M.O.

My back doctor said, “Back pain is truly one of the medical conditions that can rate a 10 on a pain level.” I told him I was at 8. He said back pain typically went away within a year, often less. I said my pain was like a hundred cell phones vibrating in my thigh all at once. (My back pain was in my thigh. Uh.) Or a thousand red ants scurrying. I had a couple CAT scans.

A woman in my class said her mantra was “I’ve got this!” Nice mantra. When she moved out of town, I took her mantra. I meditated and tried new exercises, developing new neural pathways!

“Motion is the lotion” was a sign in the physical therapy department. A couple verbal catch phrases were “Exercise to the pain but not through the pain” and “Sore but safe.” I saw a lot of PTs.

The pain ended in 10 months. Two shots in the back helped. I think about back pain a lot. Even when I don’t have it.

share

Esther Isenstadt, a bassist, ran classified ads in the Cleveland Jewish News in the 1970s-80s: “Sophisticated music for discriminating people” . . . “Leave your records at home and bring LIFE to your party” . . . “From ‘The Hora’ to ‘Beat It.'”

I didn’t see her much around town. She worked the senior-adult circuit while Yiddishe Cup played the glam jobs: bar mitzvahs and weddings. Seriously, that’s where the money was. Esther played classical and pop, and some Jewish.

Many years later (2003), I ran into Esther at The Weils, an assisted living facility. She was 86. I told her I had one of her recycled Tara Publications Israeli songbooks. I had bought it used at the Cleveland Music School Settlement. She smiled. Then she didn’t smile, and said, “I never thought I’d end up here!”

Esther had played in four suburban orchestras, raised a family, taught elementary school, led party bands and taught ESL in “retirement.” I had learned “Shir Lashalom” (“A Song of Peace”) from Esther’s book. That tune was a must-play in 1995 — the year Yitzhak Rabin was assassinated.

Esther had rubber-stamped Esther Isenstadt Orchestras in her songbooks. A Jewish bandleader with a rubber stamp. I got a rubber stamp.

Maybe I’ll follow her into The Weils. But I doubt it. I’m more a Menorah Park guy. Closer to town. (Esther died in 2010.)

share

I was a rock star of sorts in the 1990s. My band, The Crushin’, was on MTV and charted #53 on the Billboard Hot 100. But I had a problem; nobody wanted to be a sideman in my band. Everyone wanted to be the star. I wrote the songs but everybody else thought they were the star.

Now I do mostly solo gigs and give piano lessons. I don’t play klezmer. I knew you’d ask that. I like klezmer but I don’t play it. I don’t mind listening to klezmer — in small doses.

Last shabbes my rabbi’s Zoom sermon was “What I Learned at the Rock and Roll Hall of Fame.” The rabbi must have recently seen 20 Feet from Stardom. He said you’ve got to balance your sideman role with your star-tripping persona. Joseph was a star-tripper and his brother Judah was a sideman in the band.

The rabbi asked for comments from the congregation. (He likes to work the room.) I chimed in about my old band. Most people didn’t even know I had been a rocker. I talked about my record-label deals and my A-hole manager. I actually said “A-hole.”

I’m a sideman. I accept that now. We’re all sidemen. But don’t forget this: I hit #53 on the Billboard Hot 100 (June 21, 1995) with The Crushin’s “I Hope My Afterlife is After Yours.”

[fake profile]
—
Here’s my recent op-ed in the Cleveland Plain Dealer about a lake with no water in it. “Rescue Horseshoe Lake. Dam It.”

share

Ashkenazi Jews are the same everywhere. My Mississippi mishpocha are lawyers. My relatives in Israel are lawyers. My relatives in Arizona are lawyers. I have relatives, through marriage, in West Virginia. Some are lawyers. (By the way, West Virginia Jews request “Country Roads” at banquets; I’ve played several West Virginia Jewish Reunions at the Marriott in Charleston.)

Philip Roth wrote about New Jersey Jews. Joseph Epstein wrote about Chicago Jews. Mordecai Richler wrote about Montreal Jews. Stories populated with pickles and old guys named Herman. (By the way, there’s a Don Hermann’s Pickles in Cleveland.)

I played a wedding for a Canadian Jew and an American Jew. Under the chuppah the rabbi talked about choosing between “about” and “aboot.” That’s the big difference between an American Yid and a Canadian Yid.

Happy Passover.

—
Here’s an article I just wrote for City Journal. “Hanging in There.”

share

My grandfather owned a record label in Cleveland, like the Chess brothers’ thing in Chicago, except smaller. Gramps’ label churned out everything from Slovenian polkas to gospel. It was a labor of love. Gramps’ parnassah (livelihood), all along, was a shopping strip center he owned on Mayfield Road — the main drag in Cleveland Heights. Gramps rented to a print shop, beauty parlor, locksmith and bar. I hung around the bar in grade school for the pretzel rods.

Gramps used a storefront for his record label. The place had no sign. My grandfather said to me, “I’ve got this little curl in my tail — this little something different — this something the new treatment doesn’t cure. I’m in trouble. The doctors tell me, ‘We can’t straighten out your tail.’ You’re dead. That’s what. I’ve got one or two more records in me.”

Gramps liked a Slovenian-style polka group out of Wickliffe called Terri and the Soup Nuts, a popular all-girls band. Gramps said to me, “There are a lot of Slovenians in this town. A lot. Money will be made.”

Money was not made. Terri and the Soup Nuts didn’t sell many records. Johnny Pecon did better. Yonkee, way better.

Gramps had a soft spot for Terri and the Soup Nuts. He told me, “That stupid name sticks! Sticks like a burr.” He put a pic of the girls on the side of a CTS bus. No traction. Only one DJ ever spun the girls’ records — Tony Petkovsek, the “nationalities hour” honcho. That was limited.

At Gramps’ funeral, Terri asked to sing a hymn. An ecumenical, no-Jesus thing. Hey, Terri, no music at Jewish funerals. She handled the rabbi’s rejection well.

This is all history.

Terri and the Soup Nuts’ records and memorabilia are in storage at the National Cleveland-Style Polka Hall of Fame. All the musicians are dead. The building on Mayfield Road is still there. Somebody should put up a Cleveland Heights heritage plaque there, right next to Subway.

[fake profile]

share

My dad, Toby, admired Linus Pauling, the Nobel Prize-winning Vitamin-C taker. Toby was very health-conscious; he did the Royal Canadian Air Force exercises in the early 1960s. He used to jog in his underwear in the kitchen. Didn’t anybody make running shorts back then? My dad could beat me in a foot race up through my college years. Toby, in retirement, told me his best years were the Boca years: financial security and grandchildren.

Even though Toby was an exercise nut, he had lousy health. His big problem was polycythemia vera, a blood disease. He got it in his fifties. The disease kept him focused on his muni bonds and real estate investments. He wasn’t sure he’d be around the next day. He donated blood every month or two. He had to lower his red-blood count. He died in 1986, just shy of 69, from leukemia, which evolved from polycythemia vera.

My mother kept the Florida condo another 11 years after my dad died. The condo association owes my sister and me $8,160.82. That’s the golf membership dinero. The condo association has had that money since 1997. Many elderly Jews decamped from the condos (their bodies went north) in the late 1990s, and the condo association was short on cash.

Who’s playing golf at the Boca Lago Country Club these days? Is it still Jews or is it some new genre, like Latin Americans? Any cash floating around?

share

When my parents spent winters in Florida, I represented them at their friends’ funerals in Cleveland. I didn’t like the work. My mother would call from Boca Raton and say, “Edith was such a good friend of ours. Please go, son.” Screw Edith.

But I went. The hardest part was the walk from my car to the shiva house. I always imagined the homeowner would open the door and say: “We don’t want any! Who are you? Have you no decency?”

It never happened that way. I was often the youngest non-relative at the shiva. I eavesdropped a lot because I didn’t know anybody. An old woman said, “When I feel sick, I want to die. Then I get better and want to live.” OK with me.

A rabbi talked about the Cleveland Browns a lot. Rabbis usually weren’t sports nuts back then, but this rav was young and a major Browns fan. A food broker said to me, “I sell Heinen’s.” What was I selling? Not sure.

My parents made me do it.

—
Footnote:
While shiva repping, I met a  California man who produced Joel Grey’s shows for 27 years. I said, “I’ll send you my band’s CD and you can show it to Joel. Wait, I won’t send it. Joel might sue me for ripping off Mickey Katz tunes.”

“Don’t worry,” the producer said. “Lebedeff’s people tried to hit Joel up for royalties on ‘Romania, Romania’ for years. No luck.”

share

I’ve managed a lot of bands. So I know a lot about marketing, booking and touring. I won’t tell you everything I know here, but I will say this much: the key to success is publicity stunts, cameo appearances at strip joints, and surreptitious holographic projections of your band’s PR photo onto billboards at midnight.

The bands I manage make money — large money. And you’ve probably never heard of them. Most Klezmer Guy blog readers think music ended in 1975.

OK, you’ve heard of Vulfpeck. That’s because I bang on about that band so much here. I made Vulfpeck what they are today. The Vulf boys don’t know what a newspaper is, or a press release. I’m old school, they’re New School. They’re about social media. I’m about being social: Hello, my name is ____________.  I make many calls a day for Vulf. (Granted, half are to WE1-1212. More snow?)

Right now two Vulfpeck musicians are in Los Angeles, one is in Ann Arbor, and two are at a Bibibop in Carmel, Indiana. I monitor the boys’ moves and temperatures. I know how much water and booze they’ve drunk today, down to the cc.

Ask me anything. (AMA, as we say on Reddit.)

[fake profile]

—
Check out this op-ed I wrote last week, “Stayin’ Alive — the Covid-19-shot Hustle,” for the Cleveland Plain Dealer.

Guitarist Irwin Weinberger at Discount Drug Mart

share

I’m out of the pre-med game. I lost my University of  Michigan Zoo-Bot 106 frog-dissection scissors. I used the scissors for the past five decades to cut my fingernails. I took the scissors to an athletic club and lost them. The scissors said “Made in Italy” on them, in case you find them.

I bought some German scissors on Amazon the other day. Not as good. (By the way, my professor at Michigan, poet Donald Hall, said scissors is the longest word in the English language.)

There were about 30 pre-meds on my dorm floor,  and I think one or two made it to doctorhood. I took inorganic and math my freshman year, and organic and physics my sophomore year. Organic did me in.

Those dissection scissors were my main connection to the U. of Michigan. For some people, it’s football. For me, it was the scissors. Now I’m a free man.

Go Bucks.

share

This is Bert Stratton. Is there a market for a book with that title? There’s a book This is Larry Morrow . . . My Life On and Off the Air: Stories from Four Decades in Cleveland Radio. There’s a new book by Paul Orlousky: Punched, Kicked, Spat On, and Sometimes Thanked: Memoirs of a Cleveland TV News Reporter.

Is there a market for Bert? Yes, I know I’d have to expand the title. How about This is Bert Stratton . . . Stories About Strippers, Mobsters and Klezmorim.

Every Sunday my family gathered around the piano. Neighbors stood on the sidewalk and listened. We played klezmer music, which we simply called “Jewish music” in the 1960s. Neighbors didn’t listen for too long. By age 13 I was supporting my family, playing at the Roxy Burlesque, where I saw naked women. I knew Tarzana and Morganna, who were at my bar mitzvah party at the Shaker House Motel. Nobody could top that.

I knew mobsters. An acquaintance, gangster Shondor Birns, was blown up by a car bomb on the West Side. Then Danny Greene, a fellow mobster, was blown up by a car bomb in Lyndhurst. By default I became head of the Cleveland Mob. My gangster income, plus my music, was a living. My high school grades suffered, but so what.

I have a couple questions for you. Would people in, say, Peoria, Illinois, buy a book about Cleveland mobsters, strippers and klezmer musicians? Or should I cut the part about mobsters and strippers, and go pure klez?

share

Bill DeArango played guitar with Dizzy Gillespie on 52^nd Street and was the music guy in Cleveland. I was at DeArango’s University Heights music store, playing charts from New Sounds in Modern Music (edited by Bugs Bower, 1949). DeArango had randomly picked the New Sounds in Modern Music book from his sheet-music rack. A kid with a horn (alto) in 1970. Back then it was all guitars and drums. I didn’t tell DeArango I had bought the New Sounds book a couple years before and knew it cold.

DeArango introduced me to Jimmy Emery, a guitar player who could pick out all the Charlie Parker solos. (Emery moved to New York three years later and went on to record with all the big names.) Emery and I had jazz to ourselves in 1970, at least among 20-year-old white kids in Cleveland.

I visited Berklee in Boston. It had no campus, just one building. The founder was Lawrence Berk. The lee in Berklee is for Lawrence’s son, Lee. Berklee — the name — reminded me of my dad’s failed foot-powder company, Lesbert Drug Co., named for my sister, Leslie, and me. Maybe not a real college — Berklee? I went home to Cleveland, then back to Ann Arbor to reactivate my authentic college life.

I was not near Jimmy Emery’s level. Emery could mimic any sound he heard, and do it quickly. I bought play-along records and got into the Michigan jazz band. Dave Brubeck’s son was in that band. I got the second alto seat by playing a blues in F, or something like that. Few kids knew how to improvise back then. Music students came from high school stage bands, not jazz bands.

I borrowed recordings of Hank Crawford, Lou Donaldson and Rufus Harley from a black Detroit kid I knew from the dorms. I went to Baker’s Keyboard Lounge in Detroit to see Gene Ammons, Sonny Stitt and Roland Kirk. I bought how-to-play-jazz books. I read Leroi Jones for cultural background. My how-to-play-jazz books were mostly by David Baker, Indiana University. These books were boring chord patterns and scales. Not as dry as Organic Chemistry, but not a pleasure.

I eventually quit playing and dropped out of college for a few months. These days I play some Dixieland clarinet, and not too well. Hurray for klezmer!

share

I thought I had shingles again. My first shingles was when my dad died. My dad was stressed, and so was I. This time around I was stressed about a building, not even a human. I had sold an apartment building and was annoyed with the gas company. The temperature outside was zero, and a meter man was at the building with a huge wrench, threatening to turn the gas off. I didn’t even own the building. I had sold it the day before! “You have two choices,” the gas man said to me. “Turn the gas off or leave it on.” I don’t own the place!

The new owner hadn’t called in for an initial reading. The temperature was supposed to drop to – 7. “Keep it on,” I said.

I went swimming to relax. I would chase the new landlord the next day for the bill. When I finished my laps, I noticed a red streak across my stomach. Shingles again?

My wife, a registered nurse, checked out my stomach when I got home. She said I had scratched myself.

Paranoid? No. Shingles is bad.

share

I saw Wilma Salisbury, the former Cleveland Plain Dealer dance critic. She was a tough critic. Used to be a tough critic. She was retired, so she was simply Wilma Salisbury now. I saw PD columnist Eleanor Mallet — also retired. She was simply Eleanor now. Winsor French — a long-dead Cleveland Press columnist — used to arrive at work in a Rolls. He was independently wealthy. He went all over the world during the Depression, reporting on glamorous parties.

Have you made it through a book-length compilation of newspaper columns? I have. One book: Eric Broder’s very funny The Great Indoors. Would you read 45 Dick Feagler columns in a row? Good stuff but you might die from an overdose.

Here are some other former Cleveland columnists: Don Robertson, Alfred Lubrano, Jim Parker, Jim Neff, Mary Strassmyer, Tom Green . . . and I’m just getting started. I was once a columnist. I wrote about candy, sheepshead and the public library for Sun Newspapers. I could see both sides to everything, even sheepshead. Not a good thing for a columnist.

Terry Pluto, Plain Dealer columnist, writes about religion and sports. Pluto phones clergy and asks (my guess): “Can you tell me and my readers how to live — and preferably in three or fewer sentences. And how about them Browns!” I like Pluto on both religion and sports. It’s all coming together for Pluto, what with the Browns in the playoffs and the plague (Covid) hitting the head coach and several key players. In one religion column, Pluto quoted a rabbi who cited Pirke Avot: “The one who is wealthy is satisfied with what he has.”

I am satisfied with not writing a newspaper column.

share

How come documentaries about California musicians — Hal Blaine, the Sherman brothers — have poolside shots, but no outdoor ping-pong shots? The musicians are sunbathing poolside. Are they embarrassed to show their ping-pong moves? (The Kids Are All Right, a comedy-drama set in California, had an outdoor ping-pong table. No musicians, though.)

My father, Toby, had an old friend in Los Angeles, Irv Drooyan, who taught high school, wrote math textbooks and played outdoor ping-pong. Toby kept in touch with Irv and another Kinsman Road old-timer — Sol of San Diego. In the 1950 and 1960s, California was just an extension of Cleveland. My dad’s friends switched their first names to sound more American. Irv was Red. Sol was Al. Toby was Ted.

My introduction to outdoor ping-pong was on Red Drooyan’s patio in Woodland Hills, California, in 1962. Unforgettable because A) it was outdoors, and B) I didn’t know my dad had any friends. In Cleveland my father hung out exclusively with my mom’s friends and their husbands.

I’ve got to get back. To 1962? Cleveland? California?

To the ping-pong table. Your serve.

share

Cholent was the vehicle for my return to cooking. In the 1970s I took a Chinese cooking class at the Pearl of the Orient. But no cooking classes since. My rabbi’s son hosted a Zoom class on cholent last month.

There were about 50 people at the Zoom meeting. (It’s a big synagogue.) I tried to hide; I muted; I didn’t scream, “I’m a novice!” I dumped beans, barley, kishke, flankn, potatoes and onions into my slow cooker. The instructor, Jared, said the Crock Pot was invented by an Orthodox Jew to slow-cook cholent on shabbat. (Lookin’ that up . . . Yep, the Crock Pot was invented by one Irving Nachumsohn for cholent cooking.)

Most Jews — and everybody else —  don’t know what cholent is. It’s mostly an Ortho thing. Cholent is a stew you slowly cook for 12 hours or more, so as not to light a fire on shabbat.

My cholent cooked too long. My stuff came out like a big cow pie. No definition to it. The meat melded into the beans. Just one massive turd.

I had people coming over for dinner and was going to serve it! My wife, Alice, who’s a good cook, turned the cow pies into sliders. She served cholent sliders, without buns, as an appetizer. I didn’t apologize, or say to my guests: “This is my first time!” (Cooks should never apologize. Neither should musicians.)

My friends liked it. Alice added extra pepper and salt, and some soy sauce. And luckily I had picked out the plastic  kishke casing prior. I didn’t realize the kishke was wrapped in plastic when I sliced it and dumped it in the stew. The next day I ate huevos cholent — a fried egg on top of a cholent slider. That was good, too. Alice came up with that.

Need cholent?

share