Category — Miscellaneous

Always mark the date. Here is what I’ve learned from marking dates:

Jogging shoes last 6 months.

Bathing suits, 3 years.

Eyeglasses, 6 years.

Stoves, 25 years.

Dishwashers, 18 years (a good dishwasher). [Dang, my 5-year-old KitchenAid — a good brand — is out cold today. Won’t start.]

Refrigerators — a good one, 25 years. (Frigidaire brand, 10 years.)

Leather gloves from Sam’s Store, Ann Arbor, 2 years.

Battery for a Shark vacuum cleaner, 8 months.

Screw-in fluorescent bulbs. They do not last anywhere near the claimed 5-to-7 years. Try 2 years.

I had a Hardwick gas stove at a rental property for 36 years. The stove was made in Cleveland, Tennessee, in 1974, junked in Cleveland, Ohio, in 2010. The broiler door fell apart. The stove top still worked.

P.S. I have information on the “useful life” of condensate pumps, hot water tanks and boilers, too. Spare me, you say. OK.

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Irwin Weinberger and I play at Gigi’s on Fairmount, Cleveland Heights, 7-9 p.m. next Wed.,May 13. Be there! We’ll play jazz standards and some klezmer.

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In a country-club locker room, an old man asked me, “How was it?”

“How was what? I survived — whatever it was,” I said.

“Good! What’s your field, chap?”

“My field? Real estate and writing.” For some reason I didn’t say music.

“I bet you like the writing best.”

“You got that right. My name is Bert Stratton. What’s yours?”

“Tom Stratton-Crooke.”

“We’re relatives,” I said.

“I could tell by the cut of your jib.”

“What’s your field?” I asked.

“Steamships.”

“Steamships?”

“Where did you go to school?” he asked.

“College? Michigan.”

“Ann Arbor?”

“Yes. What about you?”

“King’s Point, the Merchant Marine Academy. Then NYU. I was in Japan and Korea, and Iran, and then throughout the Middle East. The colonel liked my loquacious manner.”

I turned to go. “Nice meeting you, Mr. Stratton-Crooke.”

“Likewise.”

“I’m Stratton, but I’m not a crook,” I said.

“Neither am I.”

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1.
I met Yury, a Russian, only four days after he landed in Cleveland.  I met him at a park bench, 1990.  I sold him my 1978 Buick Regal for $500, and I suggested he change his name from Yury to Yuri.  Yury would be a hindrance to his assimilation, I said.  Yuri — as in “Yuri Gagarin” — worked better, at least for me.

Yury is now an engineer and lives in Beachwood.  Still with the y, 25 years later.

Yury lived in a subsidized apartment two blocks from my house. I helped him light the burners on his stove and lent him an old TV.  When he got the Buick Regal, I told him to check it out with the Russian mechanic down on Mayfield Road.  Yury said, “I do not trust Russians.”

2.
Yiddishe Cup had a Russian drummer, Misha from Tashkent.  He was “the stinger man” because he put a stinger (a klezmer ending) on every tune. Which was annoying.  I went to Misha’s mother’s funeral — the smallest funeral of all time. There were maybe 10 people at the funeral home.  I can’t imagine what that woman lived through, what with the Nazis and Communists.  Misha was a pro drummer. That’s all he did in the Soviet Union.  Shelly Manne came through Tashkent in the 1950s and left a lot of drumsticks behind, which everybody prized.  (Might have been Buddy Rich.  I’m not sure now.)

Misha used to hit his wife and daughter, and admit it.  Misha would say, “Here the police listen to the children. In Russian, the parents.”

Misha moved to Boston to drive a cab.

3.
Moishe, the owner of Davis Caterers, said food at Russian gigs is “out of control.”  He said, “The Russians eat breakfast, lunch, and dinner all at once. Fish and cold cuts. Then soup. Then blintzes. Then prime and salmon and desserts. Plus vodka.”

Yiddishe Cup played a few Russian weddings, but not lately.  I miss the food.  Russian immigrant musicians cornered the Russian wedding market.  Immigrant musicians know what the crowd wants and it’s not us.  Yiddishe Cup’s Russian skill-set is  “7-40,” “Hava Nagila,” and some waltzes like “Ershter Waltz” and “Tumbalalaika.”   Also, anything from Fiddler on the Roof  is a winner.

What if my grandparents hadn’t left Russia?

4.
Yiddishe Cup had a second Russian drummer, Vladimir, who forgot his sticks and used dowel rods fashioned from a windowshade. That was his only gig with us.

5.
Irwin Weinberger and I occasionally play gigs at a Russian senior drop-in center.  The Russians seem to like us.   We’ve learned “Kalinka” and “Katyusha.”

6.
Russians, they remind me of what I could have been: dead (via Nazis, etc.) or a bigger partier.

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If you need to lose something, lose a ski cap.

I retraced my steps on Taylor Road, looking for my ski cap.  Nobody picks up a used ski cap.  But somebody did.

My wife lost a ski cap the day before.

I like ski caps to be almost weightless.  I lost a lightweight ski cap on Taylor Road.

My next ski cap will be a bright color, in case I drop it in the snow again.  The biggest problem with a dropped ski cap: it makes no noise.

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This one is longer: “Harvard and Cleveland” for Belt Magazine about my Harvard connections.
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Alan Douglass (L), Bert Stratton and Tamar Gray

Locals, Nighttown tonight (7 p.m. Feb. 25) for the Schmotown Revue by the Klezmer Guy Trio.  This happens about every two years, so don’t miss this show.  $10.  216-795-0550.  Social commentary and plumbing tips, plus klezmer, soul and jazz standards.

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Howard Metzenbaum was the big name in my father’s generation.  Metzenbaum made millions in parking lots, and eventually became a U.S. senator.  My father and Metzenbaum were born the same year, 1917, in Cleveland.  My dad didn’t know Metzenbaum but enjoyed following his career.

Metzenbaum, in his later years, owned a condo at Three Village, the holy of holies for upscale living in Cleveland.  The building went up in 1978 near Cedar Road at I-271.  The Three Village condo development was wooded and secluded.  My parents lived nearby, at the Mark IV apartments (now called the Hamptons).  I don’t know why my mother went to apartment living from a colonial in South Euclid.  She was a gardener, and then suddenly she was  doing tomatoes in pots on her Mark IV balcony.  My parents liked brand-new housing; they weren’t keen on used.  Everything had to be shiny and new, maybe because they grew up in poverty.

Across from the Mark IV was Acacia on the Green — a step up, rent- and prestige-wise.  Next to Acacia was Sherri Park, a step down.  Across from Sherri Park was Point East, a step up from Acacia but down from Three Village.  These buildings all went up in the 1970s and were popular with my parents’ generation.

My parents never went inside Metzenbaum’s building.  I did.  I visited a friend who bought a condo in Three Village.  Metzenbaum was long gone — dead as of 2008 — and this was 2014.  The building’s buzzer directory read Maltz, Mandel, Ratner, Risman, Weinberger and Wuliger (among others).  Some of the condos were 7,500 square feet.

Maltz, Mandel, Ratner . . . Maybe you have to be an old Cleveland Jew to appreciate that.  If you’re not an old Cleveland Jew, and have read this far, please explain.

Buzz.  Come in.

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Alan Douglass (L), Bert Stratton and Tamar Gray

The Klezmer Guy Trio performs at Nighttown, 7 p.m. Wed., Feb. 25.  An evening of social commentary, plumbing tips and music. $10. 216-795-0550.   Alan Douglass, piano and vocals.  Tamar Gray, vocals.  Klezmer, soul and standards.  I’ll do prose blurts and play clarinet. 

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Trumpeter Kenny Terry and his band played for tourists on Jackson Square in New Orleans.  I went back to my hotel room, got my axe, and — heads-up, Kenny — here I come!

Kenny Terry, trumpet, 2014

Kenny Terry said, “Where you from, Kansas?”  Then he announced to the crowd: “Ladies and gentlemen, we have a special guest from . . . Cleveland!”   We did a Bb blues.  I managed, but I didn’t project; I had a thin sound, at least for outdoors.  Kenny said to me, “You got to play with some balls!”  That hurt.  I said, “I have this cheap plastic reed!”

The word in New Orleans is, If you’re loud, you’re loved. (Phil Frazier, Rebirth.)

Kenny Terry called “What a Wonderful World” and “On the Sunny Side of the Street” — tunes I actually knew.  A man danced with me.  (I kept playing.)  He was Dr. Love, a street performer.  No, I don’t have a video or pic of any of this.  The photo above is from the internet.  My wife and family were off somewhere.  But I do have a video of me playing with a gospel singer down the street:

https://www.youtube.com/watch?v=Rr1taF3VUps&list=UUMIAlYOHXWO_vc59jAbIuVA

New Orleans was like KlezKamp, except it was trad jazz and funky brass bands everywhere.  I saw four terrific clarinetists in two blocks.  One was Doreen Ketchens.  I said to her, “I saw you on Treme in the airport scene.  I told my wife you weren’t playing in that.”  Doreen said she was playing.  I said, “The main actor — the trombone player — wasn’t playing.  He’s from The Wire.”  Doreen explained that a real trombonist played the music off-camera while the actor faked it.

By Central Grocery, New Orleans, clarinetist Ricky Paulin played, and even asked my musician son, Jack, to sit in on tambourine (after my prompting).  My son said no thanks. When is Jack going to learn?   Ricky Paulin’s dad played with Kid Ory, Jack!  I’m not afraid to talk to musicians.  That’s the thing about musicians, they’re all approachable.*
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*Exception: Miles Davis.

Other busking stories are “Playing Rome” (9/3/14) and “Down on the Corner”  (5/5/10).  “Busking” is an American English word now.  Everybody in New Orleans uses it.

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Also, please check out “Live, From the Nursing Home,” my op-ed in the New York Times (Monday, Feb. 2).  Illustration by Joao Fazenda:

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Welcome, New York Times readers.

This blog is primarily an amusing word pile, with illustrations by Ralph Solonitz.  There are also videos and the occasional Yiddishe Cup tune.  No recipes!

The Times has published six of my op-eds lately.

Most of my stuff is about music and real estate.  But here’s one more about nursing homes — about when I almost got the hook at a nursing-home gig.  Click Bad Gig.

Here’s a previous NYT op-ed about my mom: “Love and Junk Food.”

If you subscribe to this blog, you’ll get a fresh post every Wednesday morning.  (Sign up in the right-hand column.)

My band, Yiddishe Cup, plays all over.  Not to put too fine a point on it, but we’ve played in 19 states and Canada.  Missouri plus Kansas, six times.  What?

This month some of us are doing shows in Cleveland Heights.  Convenient for us.  How about for you?  Where do you live?  Seriously, write in.  The person who lives the furthest from Cleveland wins an award.  Not sure what.

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FEBRUARY SCHEDULE
Gigi’s,  7 p.m. tomorrow (Tues. Feb. 3), Cleveland Hts.
Bert Stratton & Irwin Weinberger play standards and klezmer.

Nighttown,  7 p.m.Wed., Feb 25, Cleveland Hts.
An evening of social commentary, plumbing tips and music.
Klezmer Guy Trio (Tamar Gray, Alan Douglass and Bert.)  Prose, standards, Motown and klezmer.
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Lastly, here’s a post about Yiddishe Cup’s show in New York City, in keeping with the thank-you-NYT theme . . .

HICK YIDS BLOW NY LIDS

Yiddishe Cup played New York. We rented a van at LaGuardia Airport and drove to a hotel in Elmhurst, Queens, which was like Cleveland except a lot more Asians. The hotel was between a transmission shop and a Burger King.

New York, New York

We played the Brooklyn Center for the Performing Arts.  Who knows why. Maybe we got the gig because no East Coast band was doing klezmer comedy like us.

In Brooklyn — on our way to the gig — I saw a fender bender. The driver called out, “Would you be a witness?”

“No, I’m from Ohio,” I said.

My musician buddies wondered: Why the schmuck-itude and the ‘I’m from Ohio’?

Here’s why:  I was daydreaming about our imminent “Midwest Yids Blow NY Lids” headline in the New York Post.  Maybe a Post reporter was hiding in our van to write us up.  Also, I was preoccupied with not denting our ride — a 15-passenger rental van.  I was weaving through very dense borough traffic, and the last thing I wanted, right before showtime, was to talk about dents with cops and witnesses.

We did Catskill comedy tunes at the concert. The audience — primarily AKs — loved us.  I thought we were going to play for young people.  Aren’t there a lot of young people in Brooklyn?  Yes.  But they were not at our show.  And no reporter showed up, even though a New York Jewish Week critic had written: “Yiddishe Cup is a band that was made for a hip Jewish New York audience.  It’s a wildly funny amalgam of Mickey Katz, Spike Jones, PDQ Bach and straight-ahead klezmer.”

“Think of that — American Jews who have never been to Brooklyn.” — New York Jewish Week

The crowd was mostly elderly Flatbush residents.  I brought out some 1957 Brooklyn Dodgers baseball cards and gave the audience a quiz:

What was Duke Snider’s real first name?

What was Pee Wee Reese’s real first name?

What was Al Walker’s nickname?

The audience got every answer right.  One man even guessed Duke Snider’s height correctly (6-1). [Answers: Edwin Snider, Harold Reese, Dixie Walker.]

I talked about Cleveland.  I told the crowd I had gone to high school with Eric Carmen of the Raspberries.  That’s what New Yorkers wanted to hear — who I went to high school with. New Yorkers like to say “I went to Sheepshead Bay with Larry David” or “I went to Eramus with Sedaka.”  If they don’t say that often, they feel like Midwesterners.

We did  New York our way. Next stop, Columbus, Ohio.

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Listen here to the comedy tunes we played in New York.

This post, “Hick Yids Blow NY Lids,” originally ran 5/4/11.  The Brooklyn concert was in 2006.

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My French connection is Samy Hochmic, a Parisian Jew who mostly wears a French beret or English cap, but the last time I saw him he had on an American baseball cap.  All his berets were dirty, he said.  Besides, he wanted to display his fondness for America:

(“Rock Your World,” Rock Hall.)

Samy Hochmic, 2014, Paris
(Photo by Eric Schreiber)

He wore the “Rock Your World” cap to my daughter’s wedding (2013).  Major fashion faux pas — that hat.  When Samy left the wedding, he said, “Drop me a line.”

“What’s that mean?” I asked.  Did he want a postcard?  (Samy doesn’t do email.)

Samy and I go back to 1974, when he got my name off the ride board at Case Western Reserve, and we drove to New York.  Samy had interviewed Bellow in Chicago for his Sorbonne thesis.  Samy spoke an idiosyncratic English: “I don’t have a red cent” . . . “Shall we go?”  Samy liked the Midwest for its standard American accent.

Samy’s parents had been Polish Jewish immigrants, rounded up by the Nazis at the Paris Velodrome.  Samy was raised by farmers for money during the war.  He was a foster child after the war.  A distant cousin in Canada offered to adopt him, but Samy’s French foster parents wouldn’t let him go.  Samy trained as a tailor, then an English teacher. He made aliyah to Israel in 1975 and stayed five years.  The Israelis didn’t take to a Frenchman teaching English, he said.  Also, Samy didn’t like the brusqueness of the Israelis; he railed against the “Levantine mentality” — Israelis not lining up at bus stops and pushing too much.

If you visit Paris and want to meet Samy, let me know.  Your treat, s’il vous plait, but if he wears the “Rock Your World” cap, make him pay!

Last year in Paris, Samy was trapped in a synagogue for several hours while anti-Semites rampaged outside.

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The Bert & Irwin Show: Irwin Weinberger and I play
7-9 p.m. Tuesday (Feb. 3)  at Gigi’s on Fairmount, Cleveland Heights.   We’ll play mostly American standards and some klezmer.  (Guitar/vocals + clarinet.)

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Billy the welder and I were at the same table at a friend’s daughter’s wedding.  We both wanted to eat; that’s what we had in common.  He smoked a lot.  Every time I turned around, he was out smoking.  Billy asked me about my job.  He himself repaired forklifts.  I said my dad started a landlord biz, and I also mentioned my band.

“So you inherited your father’s business?”

“I like to say I wasn’t born on third base.  I was born at shortstop.”

Billy, holding a beer and looking somewhat glassy-eyed, said, “My dad was a drug addict and felon.  He left me when I was six. He went to Florida.”

Another wedding guest — a truck driver — chimed in, “My dad paid the bills but wasn’t there for me.”

A woman walked by.  She said, “You guys having a man talk?”

“No,” I said, “we’re talking about our fathers. I’ve never had a conversation like this before.”

Billy said, “Let’s see your hands.” I held out my hands. “You ever work with your hands?”

“I play clarinet!”

“I cook,” he said. “I’ll have you over and we’ll cook.”

“Sounds good.”

“Don’t put me on! I’m serious.”

“I’m not putting you on.”

He put his arm around my shoulder.  It was either that or punching me.  He didn’t like me.

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SIDE B

KLEZ CLOTHES

A lot of bands wear all black. Yiddishe Cup doesn’t do that. It’s too East Coast trendy.

In Toronto I once saw the Flying Bulgars in what looked like clown suits.

Yiddishe Cup dresses somewhere between the Flying Bulgars and black.

We have five looks:

Steve Ostrow
Cleveland Heights, 2001

1. The tux with colorful hand-sewn lapels. The downside to this look is everybody knows when we’re shnorring at the hors d’oeuvres table at weddings because we don’t blend in.  All-black tuxes would make us invisible.

2. Blue undertaker suit. Keeps the focus off us and on the bar mitzvah boy.

3. Solid-colored shirt with colorful tie.  This is our middle-school art teacher look.

4. Hawaiian-style shirt. A costume designer made these shirts. A real show-biz shirt. When we played 13 gigs in six days in Florida, the quick-dry feature came in handy.

Irwin Weinberger (L), Bert Stratton and Don Friedman
Boca Raton, 2011

Yes, Florida in January . . . I wish Yiddishe Cup would land another run like that. But the mega-condo booker in Florida won’t re-book us.

Was it our lyrics?

You judge.  Yiddishe Cup’s “Tumbalalaika”:

What can grow, grow without rain?
“This,” says our singer, grabbing his crotch.

What can burn, burn for many years?
“Hemorrhoids,” our singer says.

A comedian, Stu, was our last booker in Florida. I should have known he was bad news because his email address was Suntanstu@, and his website had photos of him with Engelbert Humperdinck.  Stu’s idea of a joke was not paying for our sound (speakers, mics) and backline (instrumental rental) after I bought airplane tickets to his showcase in Florida.

One final Yiddishe Cup look:

Alan Douglass
Middletown, Ohio 2008

5. T-shirt with the Yiddishe Cup logo.  We wear these when we play summer park gigs.

Our singer, Irwin Weinberger, wears the Yiddishe Cup T-shirt around town too. The rest of us don’t wear our shirts much off stage. Do you see LeBron in a Cavs jersey at the grocery store?

The cool thing is to wear shirts from festivals you played. At KlezKamp I saw a Klezmer Conservatory Band musician in a Montreal Jazz Festival T-shirt.  I wear T-shirts from the Concert of Colors (Detroit) and CityFolk (Dayton, Ohio).

I saw Sklamberg, the Klezmactic’s singer, in a Klezmatics T-shirt at KlezKamp.

On second thought, maybe Irwin Weinberger is cool.

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“Klez Clothes” is a rerun (from 1/13/10). There were no photos in the original post.

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Seltzer is a major player in my house.  My wife, Alice, bought stock in seltzer, SodaStream, and I drink a fair amount of La Croix and occasionally Klarbrunn from Costco. I stick to lime and lemon. I should try peach. I was at a party — on a gig — where the host had all the La Croix flavors, but I wasn’t thirsty so I didn’t open up the various cans and sip.

Jack Stratton, 2011,
with SodaStream

There used to be seltzer delivery guys. I never saw one. My friend Shelly had home delivery.  My parents didn’t. My mother was big with Diet Rite Cola, though. My son Teddy favored Hank’s Root Beer.  Alice used to be a diehard Diet Coke proponent.  My son Jack loves SodaStream.  My daughter, Lucy, doesn’t drink much.  That’s the story of carbonation in my family.

Alice gives SodaStreams as gifts. She hopes her purchases will increase the stock’s value.

I know people who can distinguish club soda from seltzer water, and can expound on the level of fizz in SodaStream versus canned seltzers.  My wife is one of those persons.  She is Seltzer Girl.

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Check out “Mississippi Albert” in Belt Magazine. It’s about my “roots” in Mississippi.  When I taught blues harmonica, I told the students my mother was from Yazoo City, Mississippi.  I wasn’t lying!  Here is the story.   I traveled to Mississippi. This photo, below, is from Cleveland Heights, 1977:

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One more photo . . . from Mississipppi, about 1926. My mother, Julia Zalk Stratton, age 6, on R; her older sister, Bernice Zalk Golden, in back; and baby sister Celeste Zalk Kent (who is now 87) in the high chair; and a cousin on far L:

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My friend Charlie came from Detroit to visit the Rock and Roll Hall of Fame.  Charlie collects Grande Ballroom (Detroit) rock-concert posters and wanted to check out the Rock Hall’s collection.

Charlie gave me a day’s notice.  Turns out, we didn’t see the Rock Hall. We walked to Fairmount Circle to Dave’s Cosmic Subs. Dave himself was there. Dave doesn’t own the Fairmount Circle sub shop and never did. (It’s a franchise of his.)  School kids were excited that Dave was there. Dave is a former rock and roller of some sort.  I’m not crazy about him because I once rode my bike to Dave’s Chagrin Falls store and ordered a sub, chips, and a cup for water, and he told me he had no cups; I had to buy a bottle of water. That stuck with me. Then the same thing happened last month at Fairmount Circle, and I ranted, “What about Taco Bell? McDonald’s?  You can get a cup anywhere.  It’s bad for business!”

Charlie and I met with Ralph Solonitz, Klezmer Guy’s illustrator, at Fairmount Circle Dave’s. Then Irwin Weinberger of Yiddishe Cup strolled by on his way to the dentist.  Super power-lunching. We talked retirement.  Charlie told me to “float,” which meant take it easy.  That would be hard.

Irwin Weinberger (L) and Ralph Solonitz

Charlie and I rode the Rapid and checked out downtown buildings. We also saw the play The Merry Wives of Windsor and biked.  The next day at Corky & Lenny’s, we talked stock investments.  Charlie is big on rock music, but not that big, apparently.  We would need 36 hours in Cleveland to see the Rock Hall.

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It is odd to busk — play the streets — when you’re middle aged. (Or  old.)  I played Rome last month. I played the Jewish quarter — the ghetto.  My musician son, Jack, skedaddled.  He would have nothing to do with me.  I didn’t know any Italian Jewish music, but who does?   I played “Erev Shel Shoshanim,” some klezmer and standards like “All of Me” and “That’s Amore.”

My most appreciative fans were a group of college-age boys. They plied me with coins.

Afterward I said to them, “Here’s your money back. You were my best fans.”

Lucy (Stratton) Kaegi with gelato.  “Larry David” with clarinet, background.  August 2014

They insisted I keep the money. One kid said, “Do you watch Curb Your Enthusiasm? It’s our favorite show.” Another kid said I looked like Larry David.

“I’ve seen Curb,” I said.

“What about Seinfeld?”

“Also, good.”

“You guys Jewish?” I said.  I wasn’t sure; their English accents threw me off.

They said yes.

“Where you guys from?”

“Australia.”

“I’ve never been to Australia,” I said.

“Come to Sydney. It’s beautiful!”

“I’d like to.”  If I can clear at least $10 on the streets, I’m there.

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Footnote:the photo is not from the Jewish quarter.  But it’s Rome.  I roamed.

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Here’s a second busking story, from the archives: “Busking in Israel and Elsewhere,” Times of Israel,  7/12/12.

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A new essay from City Journal: “Bubbles, Booms, and Cash Flow.”  Not about busking.

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I saw Wilma Salisbury, the former Cleveland Plain Dealer dance and music critic, at a concert. She used to be feared  — used to be.  When she stopped writing for the Plain Dealer, she became just Wilma Salisbury.

I saw Eleanor Mallet. She was a columnist a couple decades ago. Now she’s simply Eleanor Mallet.

Winsor French — the late Cleveland Press columnist — arrived at work in a Rolls. This was in the 1930s. He was independently wealthy. He went all over the world during the Depression, reporting on glamorous parties, for working stiffs in Cleveland. He also wrote a lot about Cleveland nightlife.

Have you read any book-length compilations by newspaper columnists? I read one good one: Eric Broder’s funny The Great Indoors. What if you read 45 Dick Feagler columns in a row? Would you die?  (Dick Feagler is an excellent writer but 45 columns in a row about the good old days, that’s rough.)

Here are a few other former Cleveland columnists: Don Robertson, Alfred Lubrano, Jim Parker, Jim Neff, Mary Strassmyer, Tom Green . . . I’m just getting started. (No Googling either.)

I was a columnist once.  I wrote about candy, sheepshead and the library for Sun Newspapers.  I picked easy, uncontroversial subjects.  I was too ambivalent.

Sun Press 7/29/82

Terry Pluto, a Plain Dealer sportswriter, moonlights as a religion columnist. I sometimes clip his columns for inspiration. Pluto phones clergy and asks (my guess), “Can you tell us how to live — and preferably in three or fewer sentences.”

It’s tough to crank out columns weekly.  Pluto quoted a rabbi who cited Pirke Avot (a section of Talmud): “The one who is wealthy is satisfied with what he has.”

Do I covet Pluto’s job?

Nope.

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I had an essay in Belt Mag last week about delis. (Boni: Some interesting comments at the end of the article.)  Click on “Deli Men”

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Clevelanders, Yiddishe Cup plays tomorrow (Thurs. Aug. 7) at 7 p.m. at John Carroll University.  We’re on the lawn in front of the Grasselli Library.  Park at the college lot across from Pizzazz restaurant and walk toward the campus.  Bring a chair or blanket.

The concert is free.  If raining, the show is indoors at the Dolan Science Center.

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The mayor’s assistant told us not to play any klezmer music — “nothing ethnic,” she said.  Just American.

No klezmer?  Why did the mayor hire Yiddishe Cup for the city’s summer concert series?

Our contract rider stipulated a fruit platter, bottled water and diet colas. A good gig, food-wise. But what were we going to play?

I said, “You don’t want to alienate anybody with ethnic music?”

“Exactly,” she said. “That’s the mayor’s thought.”

“How much non-ethnic music do you want?”

“All or mostly.”

“Can you give me a percentage?”

“Ninety percent American music,” she said.

Yiddishe Cup played “Dock of the Bay,” some Motown, Beatles, “Hang on Sloopy” and “Old Time Rock And Roll.” A Chinese woman liked “My Girl” so much we played it twice.

I told the crowd Yiddishe Cup started out as a deli on Kinsman Road, then moved to Cedar Center, and ultimately wound up on the far East Side. I  kept up that quirky patter throughout because “My Girl,” the second time through, wasn’t doing it for me.  A city councilman asked where Yiddishe Cup had been at Cedar Center. I didn’t answer because I didn’t know. I should have said, “Between Abbey’s and Solomon’s.”  Or maybe “We were in back of Harvey’s Backroom.”

We snuck in “Miserlou” — a Greek tune.  We did a Macedonian tune.  We did an Israeli tune (!)  And for some reason, “Hawaii Five-0.”

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SIDE B

1 IN 25

When I went to the solidarity-with-Israel rally in Cleveland last week, I figured I would know 1-in-10 people. I knew 1-in-30, at most.

There were 2,800 people. That was a letdown — not the 2,800, but I didn’t know more of them. I knew many of the cantors, rabbis and Federation speakers but I didn’t know many of the rank-and-file yehudim.

I knew one person in this photo.
  (Cleveland, 7/22/14)

Shouldn’t I — after 25 years with Yiddishe Cup — be more plugged in than 1-in-30?

There were Christian groups from far off places (Aurora, Westlake), so maybe I’m more like 1-in-25 (with lantsmen).

Give me 1-in-25.

—
Yiddishe Cup plays 7 p.m. Thurs., Aug. 7, at John Carroll University as part of the City of University Heights (Ohio) Summer Concert Series.

Alice Stratton and Daniel Ducoff at the 2012 Univ. Hts. summer concert. (Photo by Jim Olexa)

The concert is on the lawn in front of the Grasselli Library on the quad. Park in the college lot across from Pizzazz restaurant and bring a blanket or chair. If raining, the concert is in the Dolan Science Center. Free. (We always deliver a top-notch kosher-for-Pesach klezmer  show for University Heights.)

Guest vocalist Shawn Fink will sing “Joe and Paul’s,” a 1940s comedy classic, and the band will do its original “Warrensville and Cedar Road,” about TJ Maxx, Bob Evans and Target.

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I’m not good around movies. I frequently go negative right afterward. I can’t stand being in a dark room for two hours watching mostly junk. What percentage of movies are good? Not that many. I get dragged along to movies because I’m a social animal.

I went to Supermensch: The Legend of Shep Gordon. I had read an interview with the “legend” in the Forward; I liked the word “Supermensch” in the title; and a friend said the movie was good.  Lastly, and most importantly, my wife wanted to go.

Shep Gordon is a booking agent/manager, who managed Alice Cooper, among others. Shep did a lot of drugs and messed around with a lot of women. He was loyal to his clients — for sure the ones interviewed in the movie. Gordon comes off as a very loyal sybarite.  In Hollywood that apparently qualifies as a “supermensch.”

Why not more about Shep’s mother, who liked the family dog more than Shep? What about Shep’s brother? He isn’t in the movie. Shep had a few marriages; I lost count.  Gordon hung out with just famous people. (Not entirely true; there were three or four non-famous people in the movie.)  He liked round tables, as compared to square tables, for his dinner parties. Round tables are more conducive to  good conversation. That was interesting.

I walked out when Gordon had a heart attack.  Maybe it wasn’t a heart attack. He was in a hospital bed with tubes in him.  I didn’t hang around for the diagnosis. Heartless.  Me or him?

In the Cedar-Lee Theatre lobby afterward, I was called a curmudgeon and cynic.  I went on Rotten Tomatoes the next day: one-in-four reviews said the movie was crap. So I was redeemed.  Right?  One in four.  I was redeemed.

I wonder what Searching for Sugar Man got on Rotten Tomatoes. I didn’t like that movie either. [Ouch. Almost all positive reviews.]  I thought Sugar Man was too much about the music business and not enough about the guy . . . “We were big in South Africa but not Detroit” stuff. I had a friend who was fairly big in Japan in the 1960s, but not in America. So was Joan Jett. I remember this stuff but don’t want to.

I need a 98-percent-or-better on Rotten Tomatoes to go to the movies. Ninety-eight is my sweet spot.  Sugar Man was 95; Supermensch, 75.

I’m going to check out Anvil! The Story of Anvil on Rotten Tomatoes . . .

98.  Yes.  Anvil! was inspirational; a bunch of Canadian guys with lousy day jobs got their old band back together and toured.  Check it out. And don’t kvetch to me if you don’t like it.

—

Ann Wightman, salutatorian,
Brush High ’68

I wrote this one for Cleveland.com last week: Class Reunions Shouldn’t Have to Be Every 10 Years.

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A New York editor wrote, “You should write a book.  After reading your wonderful essay in the New York Times this morning, I’ve spent the last couple of hours reading everything you’ve written that I could find online. You root your essays in your personal experience, but they have a universal appeal.”

The editor concluded, “A humorous book about real estate would have tremendous commercial appeal.”

Yes!  But what if I worked a year on the book, got a paltry advance, and only four people read the book?  Besides, I’ve already published a book. I published a novel in the 1970s about sex and college.  It was small press (my press). I gave a copy to Allen Ginsberg. You can find it on Google.  A Cold Night in Ann Arbor.

I’m fried from writing books that go nowhere.  I wrote unpublished books before that New York editor was born.  I wrote Check My Balance (about my mental health and the family business), and Riding on Mayfield (about my youth) and Kicked in the Groin (about my hernia operation).  None of them got published, and I had great agents too.

One time — when  I was in Latin America — my dad acted as my literary secretary.  He wrote to my literary agent, “We’re very proud of Bert and are very pleased you are representing him.”

I’m glad my dad was “very proud” of me.  I still think about that.

But I’m done.  I just wrote the New York editor back: “I’m not going to write the real estate book.”  If anybody wants to read about real estate, they can always click here for 92 Klezmer Guy posts about real estate.
—

The above is Philip Roth–style fiction.  Yes, my dad was my “literary secretary,” and the bit about the unpublished novels is based on fact, but I never received any email from a New York editor.  If I had, I would have written back, “Yes, I’ll do it.  Can I pay you?”

File this under fake profiles.
—

SIDE B

WE INTERRUPT THIS BLOG

Every year I pause to thank the major commenters to this blog. I could do Klezmer Guy without comments, but it wouldn’t be as interesting.

In no particular order, thanks to kibitzers Marc, Ken G, Jessica Schreiber, Gerald Ross, Ted, Bill Jones, Mark Schilling, Ellen, Seth . . .

David Korn, Dave R, Irwin Weinberger, Alice, Don Friedman, Lea Grossman Hapner, Ari Davidow, Pierce G, Charlie B, Jeff Moss, Nancy Kane, Jack, Gerry Kanter, Michael Wex, Faruk Ahmed and Steven Greenman.

See your name here next year by writing in.

An extra gracias to
Ken G and Mark Schilling. They crank out comments in bulk — always insightful, inciting and/or stupid.

Lastly, thanks to bloggie illustrator Ralph Solonitz, the best and cleverest drawer around. Here’s an old post about Ralph and his motorcycle.

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I play house concerts; I perform in people’s living rooms and sleep in their bedrooms. I play guitar, sing and tell stories.  I’ve taught a class or two at old-timey music camps in West Virginia.

The house-concert scene is my Airbnb, except I get paid; I don’t pay.  And I usually sell a handful of CDs.

I wish the  house-concert scene was bigger.  Fifty people in a living room is my best draw.

I saw the movie Inside Llewyn Davis recently and thought to myself “that’s me!” except I’m happier than that guy.  Right now I’m doing a Bix Beiderbecke transcription in a bedroom in Columbus, Ohio, and enjoying myself.  I’ll  be in Pittsburgh tomorrow. I live cheaply and save money, so when I’m 65 — three years from now — I’ll stop this train and settle down.  I’m thinking about Austin.  I’m tired of sleeping in other people’s beds.

—
SIDE B

The  post above is a fake profile. This one is true.

I WAS A HERRING ADDICT

In my refrigerator, I had Golden Herring (Brampton, Ontario), Ma Cohen’s (Detroit) and Ducktrap River (Belfast, Maine). In wine sauce, not in cream sauce. Must say “tidbits.”

Ma Cohen’s was the best. It was lower in sodium and sugar than the others. They all had omega-3s.

I bought my Ma’s at Corky & Lenny’s, my Ducktrap at Whole Foods, and Golden at Heinen’s. For a while I thought “Golden” might be the owner’s name, like in Al Golden, my late uncle. I Googled the company; Golden is owned by Lorne Krongold of Brampton, Ontario.

I stopped by a Polish deli in Slavic Village, Cleveland. The place had a ton of herring, even matjes herring, which I had only seen previously at KlezKamp.

Here’s an interesting tidbit:  1) Herring was a major source of protein for impoverished Jews in Eastern Europe.  2) Don’t take herring to a hunger center.  They’ll refuse your donation.  They’ll say, “We can’t even give this stuff away.”

If you don’t get it — herring — you probably think this subject is idiotic. But listen,  you can acquire herring love. Start out on sardines and move up. A third way: anchovies.

My sister and I used to eat anchovies right from the can, straight. My sister isn’t that crazy about herring. I don’t get that.

I’m down to a jar of herring a month.  Something bad about salt, my doc says.
—
An earlier version of this post is a video.

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Benching the Sunday Times

Forget the New York Times.  You don’t need it.  SUBSCRIBE to this blog. You need a weekly fix of real estate-and-music news.  Enter your email in the column on the right, where it says SIGN UP HERE. You’ll get one email a week, every Wednesday morning.  Just one email a week.  And I won’t sell your email address to anybody.

I’ve had five op-eds in the Times lately.  (My previous op-eds can be found in the columm on the right, where it says ARTICLES.)

***

My dad, Toby Stratton (1917-1986), age 50:

***

My son Jack — the Los Angeles musician in the op-ed — was on All Things Considered and written up in Rolling Stone, The Atlantic and Le Monde.  All in the past three weeks.  He’s the leader of Vulfpeck, which has more than 4,000,000 streams on Spotify.  My favorite Vulfpeck tune is “Outro.”  Catch the sax solo at 0:47 . . . .

***

See you back here on Wednesdays, I hope.

P.S.  If you want to read 92 more stories about real estate, click CATEGORIES — Landlord Biz.   (Or if  you prefer to focus on music, or Cleveland, or my dad, go to the right-hand column and click the appropriate CATEGORIES link.)

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I’m related to few Strattons.  So I got a bit excited when I came across Jon Stratton, author of Coming Out Jewish.  I found him on the Internet. Another Stratton writing about Jewish matters?  Maybe I was Jon, using a pseudonym.

Jon Stratton is a cultural studies professor in Perth, Australia. His mother was Jewish and his father Christian. He grew up in England, not knowing anything about Judaism orYiddishkayt (Jewishness).

I ordered Jon’s  book on Amazon. In 2000 he “came out Jewish” in multicultural academic circles, making a mark for himself by writing about “ghetto-thinking” — Jewish anxiety, basically.  He said he had been slightly different from his friends in England because his mother had made him “ring home” whenever he went out, while his chums never had to ring home.  Jon’s mother was an angst-ridden Jew from the Continent, he said.

My mother, on the other hand, was from the Delta (the Mississippi Delta) and didn’t worry much.  My mother left me off at freeway exits to hitchhike.  One trip I made a left on I-80 and wound up in South America.  She was even OK with that.

In 1990, at the Cleveland airport, I waited for my mom to arrive on the “snowbird” flight from Florida, and I let my then 9-year-old son run around the airport.  I told him, “If you wander off too far, you’re going home on the Rapid.”

He wandered off and I left him.

A Cleveland policeman called me a half hour later, and I had to go back to the airport — 20 miles one-way.  The airport cop gave me a “you’re a douche bag” smirk when I entered the airport police office.  The cop didn’t realize my son had practically memorized the Rapid Transit timetable and had ridden the complete Lee Road route.

I learned a lot about laissez-faire child rearing from my mom.  The only thing Continental about her was her airline.

If I ever get to Australia, I’ll buy Jon Stratton a beer, and we’ll talk about our mothers, I hope.  We’re  mishpocha.

—

Footnote: I’m related to  few Strattons because my father changed the family name from Soltzberg to Stratton in 1941.

—

Jack Stratton’s latest project. Also, check out the interactive map at Vulfpeck, which shows you where Vulfpeck’s fan base is.

—

Yiddishe Cup is at Park Synagogue, Cleveland Heights, 7:30 p.m. Saturday  (March 15)  for Purim.  Gonna have Tamar Gray, soul singer extraordinaire, with us.  Free and open to the public.

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Pamela Paul, editor of the New York Times Book Review, keeps a list of all the books she has read.  She wrote about her list — that goes back to 1988 — in the book review.

I know somebody else who keeps a list.

My list goes back to 1973, Ms. Pam Paul!  (Actually 1971, but I can’t find the 1971-72 portion right now.)

My four literary horsemen of the early 1970s were Kerouac, Saroyan, Thomas Wolfe and Henry Miller.  Plus every beatnik writer.  Every beatnik.  That included Dutch motorcyclist/writer Jan Cremer and Turkish East Village beat Erje Ayden.

Here is my 1974 list, edited:

The First Circle  Alexandr Solzhenitsyn
Geronimo Rex  Barry Hannah
Kentucky Ham  William Burroughs Jr.
Confessions of a Child of the Century  Thomas Rogers
Strangers and Brothers  C.P. Snow
The Manor  Isaac Bashevis Singer
Pere Goriot   Honore de Balzac
Tropic of Cancer  Henry Miller
Blue Movie  Terry Southern
Monday the Rabbi Took off   Harry Kemelman
I’m Glad You didn’t Take it Personally  Jim Bouton
Call It Sleep  Henry Roth
My Friend Henry Miller  Alfred Perles
The Wanderers  Richard Price
Imaginary Speeches for a Brazen Head  Philip Whalen
Franny and Zooey  J.D. Salinger
The Boys on the Bus  Timothy Crouse
Nine Stories  J.D. Salinger
The Autograph Hound  John Lahr
Raymond Chandler Speaking  Raymond Chandler
Lolita  Vladimir Nabokov
My Last Two Thousand Years  Herbert Gold
The Slave  Isaac Bashevis Singer

***

Did you skim or read that list?  If you read it, here’s your reward — a continuation, with asterisks for really funny books. (At the end of the list, there is a prose wrap-up.)   My fav books, generally . . .

1975

Keep the Aspidistra Flying  George Orwell
Burmese Days  George Orwell
Fear of Flying  Erica Jung
A Fan’s Notes  Frederick Exley
The War Against the Jews  Lucy Dawidowicz

’76

Little Big Man  Thomas Berger
Hot to Trot  John Lahr *
The Fight  Norman Mailer
Miss Lonelyhearts  Nathanael West
The World of Our Fathers  Irving Howe
Bloodbrothers  Richard Price
The Rise of David Levinsky  Abraham Cahan
Tales of Beatnik Glory  Ed Sanders
The Idiot  Fyodor Dostoyevsky

’77

While Six Million Died  Lucy Dawidowicz
Thirteenth Tribe  Arthur Koestler
Chrysanthemum and the Sword  Ruth Benedict
The Last Tycoon  F. Scott Fitzgerald
Confessions of a Nearsighted Cannoneer  Seymour Krim

’78

Union Dues  John Sayles
All My Friends are Going to Be Strangers  Larry McMurtry
The Chosen  Chaim Potok
A Feast of Snakes  Harry Crews
The Basketball Diaries  Jim Carroll

’79

The Cool World  Warren Miller
Rabbit Run  John Updike
Airships  Barry Hannah
The Rector of Justin  Louis Auchincloss
Sophie’s Choice  William Styron
King of the Jews  Leslie Epstein

’80

The Pope of Greenwich Village  Vincent Patrick
Dubin’s Lives  Bernard Malamud
The Apprenticeship of Duddy Kravitz  Mordecai Richler *
The Right Stuff   Tom Wolfe
Tess of the d’Urbervilles  Thomas Hardy

’81

Jane Eyre  Jane Austin
The House of Mirth  Edith Wharton
Ethnic America  Thomas Sowell

’82

Zuckerman Unbound  Philip Roth
Maiden Rites  Sonia Pilcer  *
The Friends of Eddie Coyle  George V. Higgins

’84

God’s Pocket  Pete Dexter
Rabbis is Rich  John Updike
This Way for the Gas  Tadeusz Borowski
The Abandonment of the Jews  David Wyman
Survival in Auschwitz  Primo Levi

’85

Man’s Search for Meaning  Viktor Frankl
The Headmasters Papers  Richard Hawley
Bright Lights Big City  Jay McInerney
The Art of Fiction  John Gardner
Fathers Playing Catch with Sons  Donald Hall
La Brava  Elmore Leonard

Elmore Leonard junk mail

’86

Babbitt  Sinclair Lewis
Wiseguy  Nicholas Pileggi
Providence  Geoffrey Wolff

’87

The Sportswriter  Richard Ford
The Great Pretender  James Atlas
Bonfire of the Vanities  Tom Wolfe

’88

Papa Play for Me  Mickey Katz
Life is with People  Mark Zborwski and Elizabeth Herzog
The Facts  Philip Roth
A History of the Jews  Paul Johnson
In Praise of Yiddish  Maurice Samuel

’89

Old New Land  Theodor Herzl
Architects of Yiddishism  Emanuel Goldsmith
From that Place and Time  Lucy Dawidowicz

’90

Paris Trout  Pete Dexter

’91

Patrimony  Philip Roth
Mr. Bridge  Evan Connell

’92

Devil’s Night  Zev Chafets
Rabbit at Rest  John Updike
Rabbit Redux  John Updike

’93

Class  Paul Fussell
Days of Grace  Arthur Ashe

’94

Lost in Translation  Eva Hoffman
How We Die  Sherman Nuland
Roommates  Max Apple

’96

Moo  Jane Smiley
Independence Day  Richard Ford
The Road from Coorain  Jill Kerr Conway

’97

Parts of My Body  Phillip Lopate
American Pastoral  Philip Roth
The Wishbones  Tom Perrotta

’99

Ex-Friends  Norman Podhoretz
Hole in Our Soul  Martha Bayles

’00

The Trouble with Cinderella  Artie Shaw
The Human Stain  Philip Roth
Winning Ugly  Brad Gilbert

’01

Up in the Air  Walter Kirn *

’02

John Adams  David McCullough
Selling Ben Cheever  Ben Cheever  *
The Corrections  Jonathan Franzen
The New Rabbi  Stephen Fried

’03

Samaritan  Richard Price
Funnymen  Ted Heller  *
My Losing Season  Pat Conroy
Fabulous Small Jews  Joseph Epstein
The Case for Israel  Alan Dershowitz

’04

The Da Vinci Code  Dan Brown
Good Vibes  Terry Gibbs

’05

Made in Detroit  Paul Clemens

’06

On Beauty  Zadie Smith
Prisoner of Trebekistan  Bob Harris
High Fidelity  Nick Hornby
Sweet and Low  Rich Cohen

’07

America’s Polka King  Bob Dolgan
Prisoners  Jeffrey Goldberg
Infidel  Ayaan Hirsi Ali

’08

A Random Walk Down Wall Street  Burton Malkiel
Lush Life  Richard Price
Dean’s List  Jon Hassler
Irrational Exuberance  Robert Shiller

’09

Rabbit at Rest  John Updike
How I became a Famous Novelist  Steve Hely *
Facing Unpleasant Facts  George Orwell

’10

The Great Indoors  Eric Broder  *
Pops  Terry Teachout
Olive Kitteridge  Elizabeth Stout

’11

I Feel Bad About My Neck  Nora Ephron
Open  Andre Agassi
How to Win Friends  Dale Carnegie
The Whore of Akron  Scott Raab  *

’12

I Married a Communist  Philip Roth
Pocket Kings  Ted Heller  *

’13

The Love Song of Jonny Valentine  Teddy Wayne *

***

I bought the Richard Price books for pleasure and investment purposes.  His books are probably worth nothing.  I have followed Price’s career since he was 25.  I knew a woman who dated him at Cornell.  Price is a Lit god around my house.

I like short books.  Most classics are long, so I’m bad at classics.  Funny books are my favorite.  Throw in a few jokes, or lose me.  I don’t need a strong plot.

I’ve read The Great Gatsby five times because it’s great and short.  I would read it more often if it was funny.

I can’t remember most of what I read.

A lot here — in this post — is a rip off of Nick Hornby and his Ten Years in a Tub, about books Hornby has read in the past 10 years.

I haven’t read much philosophy.  Any?  I’ve tried the Bible a few times.  Proust — I’ve done 50 pages with him.  I’m good with Shakespeare!

I haven’t read The Hobbit or War and Peace.  (Check out Buzzfeed’s “22 Books You Pretend You’ve Read but Actually Haven’t.”)

I’ve read many books about Cleveland.  Here are three random CLE books: A Fares of a Cleveland Cabby, Thomas Jasany; Confused City on a Seesaw, Philip W. Porter; and First and Last Seasons, Dan McGraw.  I’ve read all of Harvey Pekar.  Harvey didn’t write much.  Maybe 90,000 words total.   Thanks, Harvey.

I’ve read every klezmer book, I think.  Did you know a Polish academic, Magdalena Waligorska, cited this blog in her book Klemzer’s Afterlife (Oxford University Press)?

My wife occasionally takes my literary recommendations to her book club.  But not lately.  She recommended How I Became a Famous Novelist by Hely. That ruined my wife’s credibility.

If you read a book on this list, pick one with an asterisk.  And if you don’t think the book is funny, bail immediately.

I’m bailing.  Gotta list something.  What, I don’t know.  Maybe I’ll tally the people who liked this post vs. those who thought it was too self-indulgent.

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