Real Music & Real Estate . . .

Yiddishe Cup’s bandleader, Bert Stratton, is Klezmer Guy.
 

He knows about the band biz and – check this out – the real estate biz, too.
 

You may not care about the real estate biz. Hey, you may not care about the band biz. (See you.)
 

This is a blog with a gamy twist. It features tenants with snakes and skunks, and musicians with smoked fish in their pockets.
 

Stratton has written op-eds for the Wall Street Journal, New York Times and Washington Post.


 
 

Category — Klezmer

THE RUSSIANS WERE COMING

1.
I met
Yury, a Russian, only four days after he landed in Cleveland.  I met him at a park bench, 1990.  I sold him my 1978 Buick Regal for $500, and I suggested he change his name from Yury to Yuri.  Yury would be a hindrance to his assimilation, I said.  Yuri — as in “Yuri Gagarin” — worked better, at least for me.

Yury is now an engineer and lives in Beachwood.  Still with the y, 25 years later.

Yury lived in a subsidized apartment two blocks from my house. I helped him light the burners on his stove and lent him an old TV.  When he got the Buick Regal, I told him to check it out with the Russian mechanic down on Mayfield Road.  Yury said, “I do not trust Russians.”

2.
Yiddishe Cup had a Russian drummer, Misha from Tashkent.  He was “the stinger man” because he put a stinger (a klezmer ending) on every tune. Which was annoying.  I went to Misha’s mother’s funeral — the smallest funeral of all time. There were maybe 10 people at the funeral home.  I can’t imagine what that woman lived through, what with the Nazis and Communists.  Misha was a pro drummer. That’s all he did in the Soviet Union.  Shelly Manne came through Tashkent in the 1950s and left a lot of drumsticks behind, which everybody prized.  (Might have been Buddy Rich.  I’m not sure now.)

Misha used to hit his wife and daughter, and admit it.  Misha would say, “Here the police listen to the children. In Russian, the parents.”

Misha moved to Boston to drive a cab.

3.
Moishe, the owner of Davis Caterers, said food at Russian gigs is “out of control.”  He said, “The Russians eat breakfast, lunch, and dinner all at once. Fish and cold cuts. Then soup. Then blintzes. Then prime and salmon and desserts. Plus vodka.”

Yiddishe Cup played a few Russian weddings, but not lately.  I miss the food.  Russian immigrant musicians cornered the Russian wedding market.  Immigrant musicians know what the crowd wants and it’s not us.  Yiddishe Cup’s Russian skill-set is  “7-40,” “Hava Nagila,” and some waltzes like “Ershter Waltz” and “Tumbalalaika.”   Also, anything from Fiddler on the Roof  is a winner.

What if my grandparents hadn’t left Russia?

4.
Yiddishe Cup had a second Russian drummer, Vladimir, who forgot his sticks and used dowel rods fashioned from a windowshade. That was his only gig with us.

russians

5.
Irwin Weinberger and I occasionally play gigs at a Russian senior drop-in center.  The Russians seem to like us.   We’ve learned “Kalinka” and “Katyusha.”

6.
Russians, they remind me of what I could have been: dead (via Nazis, etc.) or a bigger partier.

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March 11, 2015   6 Comments

KLEZKAMP

KlezKamp shuts down this month after 30 annual get-togethers. This post looks at KlezKamp 1990.  KlezKamp was a huge positive influence on many musicians.

Sid Beckerman was a living legend of klez clarinet. I followed him around KlezKamp — the  annual music conference in the Catskills.

Sid talked to me!  Big deal?  Yes, it was.  Sid was paid staff, and I was a payer, as in student/customer/fawner, and paid staff was on a higher plane, hard to corner.  They had a lot of demands on their time.

Sid Beckerman, 1998 photo.

Sid Beckerman, 1998

Sid had no ego, according to Washington clarinetist Rodney Brooks, another student.  “Sid was never a star,” Rodney explained.  Sid was “discovered” by klez revivalists, and made his first record at 70.  (He died at 88 in 2007.)

Sid had a handwritten tune-book called “the sheets,” as in “sheet music.”  Sid’s guardian of “the sheets” was pianist Pete Sokolow (b. 1940), who had transcribed the tunes for Sid.

The most popular tune in the collection was “SB7,” which meant “Sid Beckerman tune #7.”  Dave Tarras had originally recorded it as “Di Zilberne Chasene” (The Silver Wedding).  Yiddishe Cup recorded it as “40A.”

Pete Sokolow, 2007

Pete Sokolow, 2007

At KlezKamp I developed a strategy for getting the sheets from Pete Sokolow.  First, I gave Pete a xerox of an obscure 1938 magazine article about “Bay Mir Bistu Sheyn,” hoping to get in Pete’s good graces. Sokolow, stuffing the magazine article in his pocket, said, “The sheets?  What sheets?  I’m so busy now.  I’m working up an arrangement for fifteen people.  What did Sid say?”

I hadn’t asked Sid.  So I went to Sid and offered him $20 for the sheets.  Sid said, “For what?  What transcriptions?”

Funny, all the clarinetists from D.C. knew the SB tunes. So I badgered Rodney, the dean of D.C. clarinetists, some more.  I hocked him.  He finally admitted he had the sheets.  “You can xerox them,” he said.  “But don’t say you got them from me.  Somebody might take umbrage.”

A year later, 1991, the sheets came out as the Klezmer Plus! Folio by Tara Publications.  Everybody could buy them.  Sokolow and Sid were just protecting their investments.


The above post is a rerun.  A version ran as “The Sheets,” 10/7/09.   Also, please check out the first comment (recycled from ’09) by Steven Greenman, about Sid Beckerman.


SIDE B

OK, you want to read something new . . .

I NEED A BEER!

I yelled at my wife today. Nothing new there. She forgot to buy milk.

I need a Bud. My neighbor — a guy from Germany — says Bud is the best beer in America.

I drink too much, I know that. Anymore, I’m surprised my wife puts up with me. My kids left. They won’t even talk to me.

I know I should cut back. I’d like to get down to a case a week. I had a friend who drank himself to death at 42. He put away a case a day — 24 brewskis. That’s ridiculous even by my standards. Four beers a day is what I’m shooting for.

I need a beer!


This is a fake profile.

Yiddishe Cup plays First Night Akron (Ohio) New Year’s Eve, 9:30 p.m. John S. Knight Convention Center. Booze-free event.

Did somebody say free booze?

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December 24, 2014   3 Comments

MICKEY KATZ MOVIE

Eric Krasner came to Cleveland to make a movie about Mickey Katz, the Cleveland-born klezmer clarinetist and comedian.

Eric wanted to see where Mickey was born, and where Mickey’s wife grew up, and maybe where Mickey’s father’s tailor shop had been.  I said to Eric, “I’m not a filmmaker — and I don’t want to tell you what to do — but if you want another opinion, I don’t think you should show every place Mickey took a shit.”

We went to the old Euclid Avenue Temple (now Liberty Hill Baptist Church), where Mickey was married in 1930.  Eric — teasing me — filmed the men’s room and said, “This is where Mickey urinated after his wedding.”

mickey katz 1959Eric asked why Katz (1909-1985) isn’t more acclaimed in his hometown.

For one thing, nobody has ever heard of Mickey Katz!  Mickey is not LeBron, or Superman, or Pekar, or Bob Hope. (All local boys.)  Katz was Joel Grey’s father and Jennifer Grey’s grandfather.

Eric and I went to Glenville, an inner-city neighborhood where Mickey spent his teenage years. We found the Glenville Hall of Fame. Mickey didn’t have a plaque.

One aspect of Eric’s movie — my guess here — is, why doesn’t Mickey have a plaque of some sort — a street, a “Mickey Katz Way” — in his hometown?

mickey katzEric found Mickey’s birthplace near E. 51 and Woodland by the Ohio Food terminal.  Sawtell Court — the actual street where Mickey was born — doesn’t exist anymore. It’s a grassy field. Eric drew a sign, “Birthplace of Mickey Katz 1909,” and put it on a fence.

Eric drove all the way from Maryland to film that sign.  I hope the movie, minus the urinal, happens.

Yiddishe Cup plays New Year’s Eve at Akron (Ohio) First Night.  9:30 p.m, John S. Knight Convention Center.

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December 17, 2014   6 Comments

OHIO STATE VS. MICHIGAN

I was at a brunch where all the men wore Ohio State apparel.  That in itself was not unusual; I know a lot of Ohio State fans who do brunch, but the host at this brunch was particularly Bucks-nuts; he would not let anybody into his house with Michigan gear on.

ohio state v michiganI didn’t have any on.

I’m not that big a football fan. I’m a Michigan graduate but I wish Ohio State all the best — most of the time. I like it when Michigan is winning, but this year the team is horrible, so let Ohio State go all the way.

Yiddishe Cup had a trumpet player — a sub — who played in the Ohio State marching band. He played a luncheon with Yiddishe Cup, and the OSU-Michigan game (originally scheduled for 3 pm) went on at noon, so I gave the musician leeway on the bandstand; I let him periodically watch the Bucks on a TV in a corner. The other guys in the band thought I was too accommodating. They didn’t
understand . . .

Take 1962: OSU versus Northwestern, homecoming.  Before the game, my dad and I went to a reunion luncheon.  My dad had on a Class of ’38 name tag. I don’t know what the name tag read; my father changed his name from Soltzberg to Stratton in 1941. The theme for the fraternity floats in 1962 may have been “Peanuts.”  My dad knew the words to “Carmen Ohio,” the OSU alma mater.  My dad never knew the words to any song!

My dad and I went to about a half dozen Ohio State homecomings. I liked Long’s Bookstore for sweatshirts.  Charbert’s for hamburgers.  We checked out the floats on fraternity row.  My dad wanted to show me the medical school.

The Bucks: Tom Matte, Warfield, Matt Snell and Bob Ferguson.

If Michigan doesn’t win it all (and it ain’t going to this year), let Ohio State.

Julia and Toby Stratton, Ohio Stadium.  (Julia came on our first homecoming outing -- 1959,)

Julia and Toby Stratton, Ohio Stadium. (My mother went on our first homecoming outing, 1959.)

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November 26, 2014   2 Comments

CENTURY VILLAGE, FLA.

Yiddishe Cup played four Century Village retirement communities in Florida.  Each Century Village had a theater the size of a basketball arena. Other acts on the boards were Debby Boone, Dr. Ruth, Jack Jones, “Jim Bailey as Judy Garland,” Joel Grey, and Larry Storch, “the lovable Corporal Agarn from F-Troop.”  (This was in 2002.)

One cummerbund-popping emcee told us he had opened for the Righteous Brothers, and had done Las Vegas, the cruise ships, and been married nine times. He said, “Only Mickey Rooney has me beat.” His latest wife wouldn’t let him travel, so he sold Cadillacs during the day and emceed Century Village shows at night.  He told us two “inside” Century Village jokes:

What’s 25-feet long and smells like urine?

The conga line at Century Village.

century village conga line

What’s an 80-year-old man smell like?

Depends.

The band wasn’t allowed to mingle with the audience after performances. That was a rule.  Another Century Village rule was do not walk off stage for an encore because the audience will leave and you won’t get an encore. Also, don’t take an intermission because the lines at the restroom will be so long the intermission will never end. Also, do not sell CDs.  Why not?

We broke some rules.

We never got asked back — and the crowd liked our comedy stuff!  I think they did.  I remember talking to a New York couple after the gig (violation of rule #1).  They liked us.

I would like to return to Florida, but it won’t happen unless I buy a condo at Century Village.

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October 22, 2014   8 Comments

GOLDEN AGES

I like to proclaim “golden ages” as they happen. My record is 2-1.

Win: The klez revival. In 1998 I told my band: “This is the golden age of Yiddishe Cup. We’re getting gigs in the Upper Peninsula of Michigan.” We flew to the U.P. via Minneapolis, then on to Calumet, Michigan, a mining town with an opera house.  Every town in America hired a klezmer band in the 1990s for its multicultural performing arts series.

Lose: I didn’t see the real estate crash of 2008-09.  A couple young guys wanted to buy my Riverview building in Lakewood, Ohio, in 2004, and I asked too much.  I wish they had bought it. I should have come down in price.

golden age  julia at fed eventWin The peak of Cleveland Jewry was 2000. The Jewish Federation would bring in entertainers like David “Dudu” Fisher and Mike Burstyn for galas. Burstyn and Fisher both charged at least $15,000.  I took my mother to see Burstyn.  She was in a wheelchair with Parkinson’s.  I wheeled her to the front of the room, where the machers were. Some of the “healthy old” looked kind of scared of my mom.  The Jewish Federation employees wore earpieces like FBI agents and worked crowd control; others Federation workers ran the wide-screen video and cued up speeches; and other workers told guests where to line up for dessert — the most important event. Fisher and Burstyn haven’t been back since.

We’re in the golden age of the Klezmer Guy blog now.  What other golden ages?  I don’t know.  You tell me. The golden age of golden-agers?  I’m playing a lot of nursing homes lately, specializing in 80th, 90th and 100th birthday parties, and the residents and nursing homes are looking very spiffy.  I hope those facilities — and the residents — look that good when I’m there.

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October 1, 2014   8 Comments

KLEZMER WRITERS GUILD

You’re interested in klezmer music, but tell me honestly, do I exhaust you with too much klezmer reporting?

I’m the only klezmer journalist in the world, so yes I’m prolific. No wait, there are a couple more writers . . . Rogovoy in Massachusetts, Kun of California, Robinson in New York, Davidow in Boston.  And some academics too.

We meet up virtually, and collaboratively, right here. At least I think we do.

My life is filled with klezmer.  Do other people have klezmer dreams? Do people have bluegrass dreams? Why would they?  What about Chagall — didn’t he have klezmer dreams?

Existence is a wall to climb over.

I’m over it.

klez wall klezmer writer

I have no big statement on klezmer. I started playing it because I didn’t know what else to do.  Buddy Holly, I like him; B.B. King, excellent. I couldn’t be those guys. I tried.

In college I wrote about jazz.  There is jazz writing. There are jazz journals. What about klezmer journals?  I started one: Klezmer Guy. It’s online. Check it out.

I like quirky music with glitches — in short the wrong note in the right place.  I like the staccato of Yiddish and the clarinet.  My speech is a cluster of blobs and blurts. Some of it makes sense.

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August 20, 2014   4 Comments

DON’T PLAY ANY KLEZMER MUSIC!

The mayor’s assistant told us not to play any klezmer music — “nothing ethnic,” she said.  Just American.

No klezmer?  Why did the mayor hire Yiddishe Cup for the city’s summer concert series?

Our contract rider stipulated a fruit platter, bottled water and diet colas. A good gig, food-wise. But what were we going to play?

I said, “You don’t want to alienate anybody with ethnic music?”

“Exactly,” she said. “That’s the mayor’s thought.”

“How much non-ethnic music do you want?”

“All or mostly.”

“Can you give me a percentage?”

“Ninety percent American music,” she said.

Yiddishe Cup played “Dock of the Bay,” some Motown, Beatles, “Hang on Sloopy” and “Old Time Rock And Roll.” A Chinese woman liked “My Girl” so much we played it twice.

no yid stuff

I told the crowd Yiddishe Cup started out as a deli on Kinsman Road, then moved to Cedar Center, and ultimately wound up on the far East Side. I  kept up that quirky patter throughout because “My Girl,” the second time through, wasn’t doing it for me.  A city councilman asked where Yiddishe Cup had been at Cedar Center. I didn’t answer because I didn’t know. I should have said, “Between Abbey’s and Solomon’s.”  Or maybe “We were in back of Harvey’s Backroom.”

We snuck in “Miserlou” — a Greek tune.  We did a Macedonian tune.  We did an Israeli tune (!)  And for some reason, “Hawaii Five-0.”

SIDE B

1 IN 25

When I went to the solidarity-with-Israel rally in Cleveland last week, I figured I would know 1-in-10 people. I knew 1-in-30, at most.

There were 2,800 people. That was a letdown — not the 2,800, but I didn’t know more of them. I knew many of the cantors, rabbis and Federation speakers but I didn’t know many of the rank-and-file yehudim.

I know one person in this photo and recoognize a couple faces. Israel rally, Cleveland, 7/22/14

I knew one person in this photo.
  (Cleveland, 7/22/14)

Shouldn’t I — after 25 years with Yiddishe Cup — be more plugged in than 1-in-30?

There were Christian groups from far off places (Aurora, Westlake), so maybe I’m more like 1-in-25 (with lantsmen).

Give me 1-in-25.


Yiddishe Cup plays 7 p.m. Thurs., Aug. 7, at John Carroll University as part of the City of University Heights (Ohio) Summer Concert Series.

Alice Stratton and Daniel Ducoff at 2012 Univ. Hts. summer concert.  (Photo by Jim Olexa).

Alice Stratton and Daniel Ducoff at the 2012 Univ. Hts. summer concert. (Photo by Jim Olexa)

The concert is on the lawn in front of the Grasselli Library on the quad. Park in the college lot across from Pizzazz restaurant and bring a blanket or chair. If raining, the concert is in the Dolan Science Center. Free. (We always deliver a top-notch kosher-for-Pesach klezmer  show for University Heights.)

Guest vocalist Shawn Fink will sing “Joe and Paul’s,” a 1940s comedy classic, and the band will do its original “Warrensville and Cedar Road,” about TJ Maxx, Bob Evans and Target.

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July 30, 2014   8 Comments

WHATEVER HAPPENED
TO PUTT-PUTT?

My son Teddy had a birthday party at Putt-Putt on Northfield Road. This was in 1990.  I think that’s the last time I played Putt-Putt — official Putt-Putt. There are only 49 Putt-Putt courses left in the United States.

There was a Chinese miniature golf course on Libby Road at Broadway Avenue in Cleveland. (I think that’s where it was.)  It had a Buddha that went up and down.   My high school friends and I couldn’t get enough of that course.

Arnold Palmer Miniature Golf  . . .  Just had to say that.

I would like to live long enough to play Putt-Putt with my grandchildren.  (First, I need the grandchildren.)  I want to stay healthy enough to bend down and pick up the ball.  That’s the hardest part of mini golf.

Adventure golf, such as Pirate’s Cove, sounds good.

Putt Putz

Putt Putz

There’s a  vid version of this post — slightly more in-depth.  (Originally posted in 2011).

Come to Cain Park, Cleveland Heights, 7 p.m. Sun. (June 29) for a free klezmer concert by the Josh “Socalled” Dolgin Sextet, featuring super clarinetist Michael Winograd.  (Jack Stratton on drums.)

Josh Dolgin

Josh Dolgin


Here’s a new vid, Don Bryon Salutes Mickey Katz.

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June 25, 2014   8 Comments

SAVE THE DATE:
THE CHALLAH FAME FUNDRAISER

Save the date: August 31, Cleveland.

We’re having a costume ball at The Challah Fame fundraiser.  We’ll have styling stations with plenty of gear in case you forget to dress right; we’ll have Greek fishermen’s caps, Tevye vests, Russian cavalry boots and wash-off Yiddish tattoos.

We’re blocking off three blocks on Euclid Avenue for bowling, pierogis, borscht, schnitzel, herring, slivovits and brewskis.  The theme is The Other, as in Jews, Slavs, Gypsies and Martians.  IDs not necessary.

Live music,  of course.  We’ve already booked Beyond the Pale and Sharon, Lois, and Bram.

We’ll march up Euclid Avenue to East 17th Street, where the Alpine Village used to be, and play Austrian oom-pah music. [Mickey Katz played at the Alpine during the war.  The club’s owner, Herman Pirchner (an Austrian), wanted to show he wasn’t pro-Nazi.]

Robert Gates, former secretary of defense, will lecture on “The Klezmer CDs We Found at Bin Laden’s Lair and What That Meant.”  Other lecturers are the usual suspects: Wex, Sokolow, Horowitz, Netsky.  Also, a Ladino lecture by Septimo Rodriguez:  “Soluciones para pequena empresas Ladinas.”

Finally, a motorcycle ride out to the Popcorn Shop in Chagrin Falls, led by Mayor Merle Gorden of Beachwood.  (We’ll have three-wheel motorcycles for rent.)

Save the date: August 31.

SIDE B

The post above is so stupid it deserves another . . .

BLOW HARD

I sometimes get a spiritual lift from playing clarinet. This might happen during a pop tune like “Hallelujah,” or an old Naftule Brandwein klez number, or even a scale. I never know.

Young musicians ask me, “I see you put a lot of heart into your music. Where’s that coming from? How do you do that?”

I have no answer. I say, “Blow hard. Don’t worry about it. Blow hard.”

Blowhard?
 
 
 

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March 19, 2014   1 Comment

BUMPED FOR JUDY COLLINS

 This appeared on the Ann Arbor Observer blog last week.  If you’ve already read it, please skip down to Side B.

Last year at The Ark, my klezmer show got bumped for Judy Collins.  She took my slot.

Ann Arbor ukulele-master Gerald Ross, who was a sideman, emailed me then: “I saw The Ark schedule. I don’t think we’re playing Feb. 9 [2013], because you’re not Judy Collins.”

I had a lock on that date!  I emailed The Ark.  The Ark said how about another date?  I suggested a couple more Saturday nights.  The Ark said how about a Friday night.

I don’t play Friday nights if I can help it.  I like to stay home for Friday nights — shabbat.  Sometimes my shabbats are just a couple hours, but they’re always on Friday night!  I once heard a Reform rabbi say, “Say a prayer over your pizza if you’re out with your kids on Friday night.”  I’m all for that.  I “hold” by that.  (“Hold” means  “I follow that custom.”)

I reluctantly took the Friday night slot last year, but didn’t put Friday in my publicity.

I got up to Ann Arbor on Friday afternoon and met up with an old college friend, Charlie Burch.   He had just donated his 1960-70s political buttons to an archive in the Graduate Library.  I wondered who still used the library. The answer: Charlie.  (His buttons were No Nein Nyet Non Lo; March on Washington; Go Michigan Beat Thailand.)

Charlie pointed out where various stores don’t exist anymore.  Like Centicore Books, Borders Books, Orange Julius and Miller’s Ice Cream.

I like touring Ann Arbor.  It’s the only place I’ve lived other than Cleveland.  I graduated U-M in 1973.

I said a private shabbat prayer in a Mexican restaurant, Sabor Latino, before my gig.  I opened the gig with “Shalom Aleykhem” (a well-known Friday night song) and wished the Jews at The Ark “shabbat shalom.”

I had a good one — a good shabbat.  But playing publicly on Friday night is not optimal for me.

Yiddishe Cup plays  Saturday night this year –- this Saturday, Feb. 8 [2014].  Praise the Lord!

SIDE B

180-degree turn . . .

MILK IS MY ILK

I shot a cow once. It was crippled and couldn’t walk. My dad sold the dead cow to the Amish for meat. We couldn’t sell it to anybody else because it wasn’t “choice” grade.

My dad loved everything having to do with cows: barns, ice cream, blintzes. He had me pitching balls against the side of our barn, like Bob Feller. My dad thought I could be the next Rapid Robert even though I was a near-midget.

I planned to go to Ohio State to major in dairy science after high school. But my high school friends — all non-dairy guys — talked me into Michigan, where I majored in diary science (creative writing). A big mistake.

I spent a year in Israel after college, at a kibbutz, milking cows in the refet (dairy barn). The kibbutzniks  were impressed.

I still like unpasteurized milk, but it’s hard to find these days.

I order milk at bars. Women overhear me and say, “You’re like James Cagney!”

Got milk?

I hope so. I have zero tolerance for the lactose intolerant.

File under Fake Profiles.

Yiddishe Cup is at The Ark  this Sat., 8 p.m. Feb. 8. Here’s a vid from our show at The Ark, 2009:

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February 5, 2014   9 Comments

THE UPDATE ON MY FIRST DATE

At a nursing home gig, a resident told me she knew my late Aunt Bernice.

Another resident remembered me from my junior high days. Her daughter had played first-chair clarinet, to my second chair, in junior high band.

A third resident said he was the former dentist of Yiddishe Cup’s drummer.  “What’s your drummer’s name again?” the dentist asked. [Don Friedman! The great Donny Friedman!]

I said, “I’ll give you the drummer’s name, but first I’m going to be clairvoyant!” I guessed the dentist’s name, his approximate age (90), and what he had done that morning — three hours prior to the gig.

I got everything right, but the dentist wasn’t impressed. He wanted the drummer’s name.

Yid Yak

I guessed everything right about the dentist because 1. I had seen the dentist playing tennis at a nearby racquet club that morning.  A 90-year-old guy playing tennis is hard to forget.  2. I knew his approximate age because he used to play tennis with my dad.  3.  I knew his name because I had dated his daughter in high school.

The daughter and I had gone to see Cool Hand Luke at the Vogue,  then out for shakes at Manner’s Big Boy, Van Aken.  It was a fix-up by our parents.  It was my one-and- only date in high school.

I asked the dentist, “What’s Barbara doing?”  The daughter.

“She’s a piano teacher in Boston,” he said.

I just Googled her.  She teaches classical and jazz.   She used to be a radio DJ.

Did I make a major mistake not asking her out for a second date?

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January 22, 2014   4 Comments

COLLEGE ADMISSIONS

A college kid told my band’s guitarist he went to Columbia University, and my guy said, “Where’s that?”

That knocked the college boy back a few SAT points.

College quiz question: What college narrowly missed being in the original Ivy League football conference?

Answer: Colgate University.*

Another fact: Yiddishe Cup once shared the bill with the Colgate glee club at a Cleveland wedding.

More: Former MIT folk dancers are a solid market for Yiddishe Cup.  Yiddishe Cup has played several simchas for MIT folk dancers.

Regionally speaking, I was loyal to Ohio State for many years.  My dad took me to Ohio State homecoming games every year.  My father lived in a corner of Ohio Stadium, in the scholarship dorm, the Tower Club, which was actually a barracks with cots. My dad often said some of the gentiles at Ohio State, back in the 1930s, thought Jews had horns.

A New Jersey woman — a potential bar mitzvah customer — called me and said, “I went to Ohio U. in the 1980s.  All the kids from Mentor and Madison [Ohio] thought I had horns.”

The Buckeye marching band had horns.  (Horns and percussion. No clarinets.)

The only time my father yelled at a TV was when Ohio State played Cincinnati for the 1961 basketball championship.  Who won?  [Cincinnati, 70-65.]

I attended a college-rejection shiva. The shiva — at Corky & Lenny’s restaurant in April 1968 — was for a friend who was rejected by every college he applied to. He got in nowhere!  He was ranked fifth, or so, in our high school class, but every college turned him down because the high school guidance counselor didn’t like him and wrote a negative recommendation.  (He was way too political for my school.)

We sat in the corner booth at C&Ls and drank chocolate phosphates, commiserating with our friend.  We were all in somewhere, and he wasn’t.

He eventually got accepted to Ohio State on a late application. Back then, if you had a heartbeat you could get into OSU.  He wound up in an OSU high-rise dorm with 16 guys per suite.  It wasn’t anything like the house system at Harvard.

***

I knew a college counselor at University School, a private boys’ school in Cleveland.  If the counselor put in a good word for you, you were in.  Harvard, Yale, you name it.  Harvey Mudd. Deep Springs.

The counselor didn’t believe his own myth.  Go to a school that was a “good fit,” he  said.  (“Good fit” was the watchword of  college counselors.)  This counselor went to Harvard, a “good fit” for a college counselor.

Here’s a tip for high school kids: on your application, focus on something esoteric.  Write:  “I want to be a klezmer musician because it is the cornerstone of my existence.”  Describe a setback you have faced. “My parents don’t like klezmer music. They are so wrong.  I’ve been thinking about klezmer my whole life.”

No guarantees, but give it a try.

*The statement about Colgate narrowly missing out on the Ivy League football conference may be apocryphal.

OSU Tower Club residents, 1937.  Click on the photo to make it bigger.  “Tower  Club,” a sign,  is on the stadium entrance to the left of “Toby.”)

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November 20, 2013   4 Comments

{TODAY I AM A MAN} X 2

My son Jack played his first professional gig with Yiddishe Cup at age 8, when I gave him five dollars to play “Wipe Out.” We were at a temple Chanukah party.  Before that gig, he had done pro bono work, sitting in frequently with the band and stealing the show. The senior citizens loved him.

Jack, age 4, 1992, Beachwood library, tambourines and drumsticks.

Years later, Shirley Guralnik, a fan of the band, would ask me, “How’s the little one?” And I would answer, “The little one is in college now and bigger than me.” Shirley died in 2011. She had followed  Jack’s career from the beginning.

Jack never got nervous.  A case of nerves was hard to develop if, like Groucho Marx, your stage-mom (or dad, in this case) put you on stage practically in diapers.

I told Jack I would pay him $75 — real money — for a real gig after his bar mitzvah.  He would be Yiddishe Cup’s drummer for some gigs. He wouldn’t just sit in.

He did great.

Jack got uptight only once.  It was at his own bar mitzvah — not the music, reading Torah.  The rabbi asked him, “How nervous are you on a scale of 1 to 10.”

“Eight.”

“That’s not bad,” the rabbi said.

Jack said, “I’ve never been an 8 before!”

***

Jack, 13, 2000, at his first "real money" gig

Jack’s $75 gig was at the Barrington Golf Club in Aurora, Ohio.  A country club staffer asked if she should light the Christmas tree for the bar mitzvah luncheon.  I said,  “Not a good idea.”

On the way home, we stopped by my dad’s grave on Aurora Road.   I told Jack to place an old clarinet reed on the grave marker.

My point? 1) I didn’t have any old drumsticks. 2) I was at my father’s grave with my youngest kid, who I had just paid to work, just like my father had paid me (to paint walls, argh). The cracked reed fit into the Jewish star on the grave marker.

My son got the $75.


Jack’s band, Vulfpeck, 2013. Jack on keys.

(Today I am a man)  X 2  =  Age 26, 2013

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October 9, 2013   2 Comments

I BRAKE FOR ETHNICITY

1.

Yiddishe Cup has shared the stage with the Hungarian Scouts, Ukrainian Kashtan dancers, and Csardas, a Hungarian troupe. These groups draw fans to local festivals, and the dancers perform in difficult odd meters. Yiddishe Cup doesn’t draw many fans to these multicultural shows. The typical Jew doesn’t want to watch Ukrainians, Poles, or Hungarians dance.

At one festival, some of the folk dances had sappy English titles, like “My Little Cherry Tree” and “I Love You, Shepherd Boy.” I took the printed program home and looked up the real titles:

“Tylko We Lwowie” (Let’s Get Out of Lviv)

“Frogisic Sie Pani” (My Bagpipes are Soggy)

“Jaz Pa Ti” (Dad is Tipsy)

“Pytala Sie Pani” (Pierogis With Butter, Senator)

“Llactosi Nyasa Pilsenioya” (I Hate Milk and Like Beer)

“Jak Szybko Hund Chwile” (Jacko’s Chili Dog Is Outstanding)

“Nasza Jest, Noc Tylko” (Not Tonight, Not Tomorrow.)

 

2.

I bought a raffle ticket for the St. Mary’s Church (Collinwood) fundraiser, Catholic Order of Foresters, Court #1640.

I bought the ticket from Stan. Stan’s father was Stan too.   Stan — my friend  Stan – got married at St. William’s Church, not St. Stan’s.  (St. Stan’s church is  Polish.  Stan is Slovenian.)

Stan’s wedding reception was at the big Slovenian National Home on  St. Clair Avenue at E. 65th Street. Stan hired his uncle’s polka band.  At the  wedding, we danced Slovenian-style polka — not the same as Polish-style polka.  (If you don’t know the difference, please see Harvey Pekar’s “Polka Wars” American Splendor, issue #16.)

Yiddishe Cup can play Slovenian! We’ve done Yankovic’s “Just Because” and “Blue Skirt Waltz,” and some charts from polka musician Joey Tomsick.

I won $20 in the St. Mary’s raffle.  I haven’t seen the money yet.

Slovenians are tight with a buck.  That’s their in-group reputation. Amongst themselves, Slovenians brag about their frugality, and they like to trash Lithuanians, who are even tighter.  Stan told me all this.

The St. Mary’s Church raffle was three years ago.  Stan, you owe me $23 — that’s $20 plus interest.   Pay up, Stan.  Any Stan.

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September 25, 2013   6 Comments

THE BEST ETHNIC / WORLD BAND

Think ethnic

Yiddishe Cup was nominated for the “best ethnic/world band.”  We were practically the only non-Afro/ non-reggae/ non-Caribbean/ non-Zydeco band in the contest.

With one email blast to our fan base, Yiddishe Cup would have won the Cleveland Music Award.

Sorry. Not our scene, Scene.   (Cleveland Scene magazine sponsored the contest.)  We did not want to email blast our Yiddishe Cup fans. We didn’t want to disturb world Jewry.

I think the judges — Scene editors — designed the ballot so we would win.  Their theory:  Young voters would spread their votes among the Afro bands, and Yiddishe Cup would pick up the rock-solid Jewish block.

Do you think the other bands held back on email blasts?  No! They sent out hundreds of emails: “Vote for us!” . . . “Make us number one!” . . . “We’re number one!”

Pathetic.

The winner was Mifune, an Afrobeat hip-hop band.   Mifune — you can’t even pronounce that.  At least you can pronounce Yiddishe Cup (if you’re Jewish).

The most-recent music awards contest was in 2010.  Nothing since.*

Scene, please reboot. Yiddishe Cup wants to be number one.  We’re ready to rock and e-blast now.   Free Cleveland coconut bars to everybody who votes for Yiddishe Cup!

*News flash: Scene just held another music awards contest (September 2013).  There was no “ethnic/world” category.  Foul ball!

—-
The photo at top is Daniel Ducoff (L) and Alan Douglass of Yiddishe Cup.  Their hats are Mongolian.

SIDE B

CENTIPEDE LANDLORD

I was the landlord in a panel discussion, sponsored by the Cleveland Tenants Organization and the Center for Families and Children

I wore a sports coat and polo shirt.  I looked good.

One problem: there was no audience, to speak of (to). Only two people.  One had an apartment full of centipedes.  She had put her money in escrow for several months, and the landlord hadn’t gotten rid of the centipedes.  She said, “I don’t mind a bug or two, but I don’t like them crawling on my ceiling, and me, when I’m sleeping.”

She also said there were grain moths when she moved in. She said the city inspector came out and said, “Where do you shop?” Which she considered a veiled racial remark.  “Like he thought I shopped in the ghetto.  I shop where everybody else shops!”

The woman’s landlord should have gotten rid of the centipedes. I would have liked to have heard from the landlord.

The other person at the presentation had been booted out of her apartment. Her common-law husband had kicked her out.  She had two kids and lived on $400/month.

Mr. Polo Shirt – me — had nothing to say.  Come move in with me?  Nope.

Lead paint. That’s boring. The meeting ended on that note.

Centipede eats lead and dies

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September 11, 2013   6 Comments

BAD GIG

I didn’t feel like playing the old Jewish standards, such as “Bay Mir Bistu Sheyn” and “Tumbalalaika.”   Instead I read neo-beatnik prose from my blog.

Bad move.

I was performing at a nursing home. A resident in the front row said, “Play something we know!” and walked out.

My accompanist — keyboardist Alan Douglass — told me to change my act.  He said, “The Who went to their greatest hits whenever they faltered.”

I stuck with the blog stuff.  I wanted to be like Dylan at Newport — my own man.

Again, bad move.

Afterward, I  told my wife,  ‘I feel like I just played Sowinski Playground.”  (Sowinski was a city playground where vicious rapes occurred in the 1960s.)

I’ve learned my lesson: My Ferlinghetti schtick  isn’t going to cut it at Myers Apartments independent living.  Next time I’ll play “Bay Mir Bistu Sheyn” and “Tumbalalaika.”

SIDE B

ROBERT WOODWARD

Robert Woodward, who died in June, was a newspaperman, but not the Bob Woodward of Watergate fame.

Robert Woodward worked as a clerk at the Cleveland Plain Dealer. He was a tenant of mine.

Bob Woodward

He signed his lease renewals in green ink. I always made it a point to countersign in green. Sometimes I had to go out of my way to find a green pen. This went on for decades!

I’m not sure what Bob did at the PD. I occasionally saw him at the movies. He was a film buff. Once we coincidentally flew on the same flight to New York. He was going to see movies.

Woodward was a tenant for 37 years. He died at 65. He had been dead in his suite for about four days. A sister called. The cops went in.

Bob never bugged me, except for appliances. He never wanted people fixing stuff in his apartment.


This is not Bob’s life story!  For instance, not covered here:  Bob wrote op-eds about gay rights for the Plain Dealer and Wall Street Journal .

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August 14, 2013   1 Comment

THE KLEZMER BLINDFOLD TEST

Yiddishe Cup‘s Bert Stratton tries to identify musicians and songs from selected recordings.  Stratton received no prior information.  Ratings are 1 to 5.

***

1. “Oy Avram” Yiddish Princess

This recording reminds me of Daniel Kahn, the young Jew in Berlin.  Maybe he’s not so young.  Let’s call him 35.

Middle age is a long slog, isn’t it? What about 63, is that still middle age?

What’s really, really old? Anybody 10 years older than yourself.

The lead singer on this is Sarah Cooper — or whatever her name is.  She has a leaf blower in her right lung.  Sing, baby, sing! I give it a 5.

Sarah Mina Gordon, vocals; Michael Winograd, synths; Avi Fox-Rosen, guitar; Yoshie Fruchter, guitar; Ari Folman-Cohen, bass; Chris Berry drums.

***

2. “Blooz” Michael Winograd’s Infection

My philosophy is do something new every day, but always in relationship to the past and tradition.  If I have Kashi Island Vanilla today, I go with Kashi Autumn Wheat tomorrow. Sugar Pops, no thanks.  Corn Pops, double no thanks.  Call them what you will.  Joe’s O’s or Cheerios?  Depends.  I’ll go with Joe’s on Mondays and Cherrios on Tuesdays.  And don’t forget Ralston’s Tasteoos.

Miguel Winograd

This tune?  This is the Wino, Michael Winograd, on clarinet. He constructs his tunes with great care: one note, then silence, then another note.  Give it a 5.

Michael Winograd, clarinet; Frank London, trumpet; Daniel Blackberg, trombone; Brandon Seabrook guitar; Michael McLaughlin, accordion; Jason Nazary, drums.

***

3. “Sher 199” Bessarabian Hop. Michael Winograd 

Again with the Wino?  He’s sucking up all the klezmer oxygen.  Is he living in Barcelona?  New York?  L.A.?  He probably has three houses.  He’s big.

His clarinet is Canadian, that much I know.

I have no idea who his sidemen are, but they are very, very flexible.   They play with time and stretch out the composition. The accordion is a little choppy. It’s a 4.

Winograd, clarinet; Joey Weisenberg, mandolin; Patrick Farrell, accordion; Pete Rushefsky, tsimbl; Daniel Blacksberg, trombone; Nick Cudahy, bass; Richie Barshay, drums.

***

4. “Epstein” Poykler’s Shloft Lied. Matt Temkin’s Yiddishe Jam Band

That’s got to be Temkin. He wears his hat backwards and hangs out in Brooklyn.

I know another backwards hat-wearing drummer, but in Cleveland. My guy is Greek and does apartment cleanups after fires. Married to a Jewish girl.  Plays some Jewish.

Frank London is on trumpet. That’s a no-brainer.  He’s on every klezmer record.

Clarinet and keys? I have no idea.

Temkin hires sidemen from the same  Brooklyn Home Depot parking lot as Winograd.  I wish the Home Depot in Cleveland had this kind of talent.  Give it a 4.

Temkin, drums; Mike Cohen, reeds; Binyomin Ginzberg, keys; Brian Glassman, bass; Rachel Lemisch, trombone; Allen Watsky guitar: Frank London. trumpet.

***

5. “Baladi” Balada. Bulgarian Wedding Music.  Yuri Yunakov

This is Slavic Soul Party.  Heavy brass and breakneck tempos. These guys drink slivovitz by the gallon. I have one word for them: slow down. Give it a 3.

Yunakov, alto sax; Neshko Neshev, accordion; Lauren Brody, synth; Seido Salifoski, dumbek; Catherine Foster, clarinet; Carol Silverman, vocals.

***

6. “Shake Hands with your Uncle Max” The Jewish Songbook.  Jason Alexander

Who is the singer?  He bears a strong resemblance to an incompetent.  Give it a 3.  No, a 2.   I’m seeing ghosts, I’m fainting. Give it a 1.

Alexander, vocals; Mike Garson, piano; Chuck Berghofer, bass; Don Heffington, drums; Marc Ellis, guitar.

***

7. “Mazl Tov Dances” You Should Be So Lucky! Maxwell Street Klezmer Band

A Mickey Katz tune, yes!  This is KCB [Klezmer Conservatory Band].

Yes, I know the Mickey Katz reboot is over, but not for me. I knew Mickey’s cousin.  She was in a nursing home in Cleveland.  She was about 100.  My hobby is Mickey’s geo-hagiography.  I walk by his [former] apartment in Cleveland Heights all the time.

The music is harmonically deep and soulful.  Give it a 5. Thank you, KCB!

Ralph Wilder, clarinet; Alex Koffman, violin; Ivo Braun, trumpet; Sam Margolis, trombone; Gail Mangurten, piano; David Rothstein, bass; Steve Hawk, percussion.

***

8. “Meshugge ’bout my Myed’l” Klezmerfats!  Peter Sokolow

Pete Sokolow

Sokolow is — forgive me — an animal.  A rhythmically complex animal.  Not only can he bang out chords, he can play — and can he talk; he’ll drey you a kup for three straight hours at KlezKamp, and all good stuff.  Read his interview with professor Phil Brown. That’s the best musician interview ever.

Pete combines earthiness, gravity and buoyancy.  What’s his weight these days?

I like to guess ages and weights. I’m taking this blindfold off.

Oh jeez, why didn’t you tell me you’re 500 pounds!

Pete, he’s ancient.  He’s 73.

A 4 rating.

Sokolow, piano, vocals.

***

9. “Ko Riboyn Olam” Stempenyu’s Dream.   Steven Greenman.

Greenman, about to rob a bank

I cheated.  I should put my blindfold back on. This is Greenman, the LeBron of klezmer violin.  But Steve didn’t take his talents to South Beach.  He stayed here [Cleveland]. Give Greenie a 5, on that alone.

Greenman, violin, vocals; Michael Alpert, violin, vocals; Pete Rushefsky, tsimbl; Mark Rubin, bass.

***

10. “Rumenye”  Homesick Songs Golem

Golem

This is Reverend Gary Davis singing in Yiddish.  Joking, man.  Really out there, but good. It’s Ezekiel’s Wheels.

This is meaty.  I’m guessing the band weighs 1423 pounds, total.  I’m close.  What’s for lunch?  Give it a 4.7.

Annette Ezekiel, vocals, accordion; Aaron Diskin, vocals; Alicia Jo Rabins, violin; Curtis Hasselbring, trombone; Taylor Bergren-Chrisman, bass; Laura Cromwell, drums.

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June 26, 2013   9 Comments

COOL WORLD

1. CLEVELAND 1975

I wore red Adidas tennis shoes to an audition for a soul band at E. 91st Street and Union Avenue.

The bandleader, Amos, liked my shoe color and my skin color. He said, “Ain’t no Holiday Inn going to hire no band without a white guy, and right now there ain’t nary a grain of salt in this room.”

I wasn’t too good on sax and harmonica, but I got the job.

Amos thought harmonica was corn pone, not a respectable axe for a black man, but it was OK for a white. He said, “We can use that harp. You hip to Tower of Power? They got a bad white dude on harp. You hip to War? Another bad brother of yours on harp.”

The keyboard player had doubts — not just about my playing. He didn’t like Amos’ pot smoking.

The keyboard player broke up the band a few weeks later. He said. “Weed is communicating with the demon.”

“What you think?” Amos said. “What you gonna do when we play cabarets and shit? It ain’t no motherfucking church!”

“I said, I quit.”

Regardless of the church/cabaret conflict, we would have broken up. At our next rehearsal, Amos’ son was on drums, then a woman drummer sat in. The other horn player — an old guy, about 40 — had no teeth. He said, “I can’t play without my choppers.” But he could play. He played bebop.

Amos wanted to try gut bucket blues, even country western. “I’m unemployed! I’ll try anything,” he said.

I stopped by the Hibachi Lounge at Union Avenue and E. 103rd Street, where we were scheduled to play. The bouncer wore a red jump suit and a red wide-brim hat; he shuckled (davened) at the pay phone like he was listening to Dial-A-Jewish-Concept. Several women line-danced to the jukebox.

The women stopped dancing when they saw me.

What's happnin', ladies?

Was I cool?

Ask the women.  I got out of there.

 

2. DETROIT 2002

Yiddishe Cup shared the bandstand with a soul band at a fancy wedding. I asked the soul singer if she had seen the documentary Standing in the Shadows of Motown, which had just come out.  She said her father, pianist Johnny Griffith, was in it.

The tenor player said, “The movie didn’t feature the horn players.  It should have.”

The tenor player tuned up.  He sounded better than most Yiddishe Cup jazz solos.

The tenor player liked our klezmer stuff, particularly our “Araber Tantz.” “What kind of scale is that?” he asked.

“In Yiddish it’s called freygish,” I said.  (Freygish is the “Hava Nagila” scale: E F G# A B C D E.) “It has a flatted second and a 1½-step leap from the second to the raised third.”

“Very cool,” he said.

About time.

Public service announcement.
For all you readers down in Wayne County (Wooster), Ohio.
From Ellen Pill:

Re Don’t Buy From the Jew!  A History of Jews in Wayne County, Ohio — 1840-1950.  

We are writing a book and looking for any information on early Jewish settlers in Wayne County and surrounding areas: photos; newspaper clippings; personal information; and especially, anecdotes about daily life.  Contact Ed Abramson:  330.345.5350 or Ellen Pill:  ellenfpill@gmail.com

[Editorial comment from Bert Stratton:  Don’t Buy from the Jew. Harsh! My grandfather Albert Zalk ran a “Jew store” in Yazoo City, Mississippi. They liked him down in the Delta.  My wife’s grandfather George Rosen ran a “Jew store” in Clarksburg, West Virginia.  I was there a few times.  The town loved the Rosens.]

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June 12, 2013   4 Comments

THE HEYMISH AND THE AMISH

 

I live near two large Amish settlements  — Middlefield, Ohio and Holmes County, Ohio. I know some of  the differences between the various Amish sects. Some Amish use battery-powered lights on their buggies.  Some don’t.  Some use the triangular orange “slow vehicle” sign, some don’t.

Speaking of guys-in-black, I also know some very frum Orthodox Jews.  I  know what the crocheted yarmulke means versus the black hat.

I’ve only been around Amish and Jews once.  I saw an Amish man in the lobby of Green Road Synagogue — an Orthodox synagogue in Cleveland.  I said to myself, “I’m wrong.”

This “Amish guy was probably a hipster Jew trying to look Amish, with a wide-brim hat, beard, no mustache and a vest.  Like Solzhenitsyn.

I saw 15 Amish women in blue dresses and white bonnets come out of the kitchen.  They carried parfaits on trays.

Then I saw a horse and buggy at the side door. (How does a horse and buggy get to suburban Beachwood? By truck.)

Solzhenitsyn stacked bales of hay in the temple lobby and brought in chickens. He was John, an Amish from Middlefield, and he worked for an Orthodox Jew who owned a mattress factory and was hosting a sheva brochas (post-wedding dinner).  Yiddishe Cup played the dinner.  We played our usual repertoire of  Yiddish, Hebrew and klezmer.  I asked the Amish buggy driver what he thought of the music.   He said, “It sounds like Mozart.”  Maybe because of the violin?

The man stacking the hay said some Amish in Ohio play harmonica — the 10-hole diatonic model.  “That’s all, for instruments,” he said.  “Other instruments [like flute, guitar] might lead to forming a band.”  A Jewish joke?

The rabbi  jokingly asked if Yiddishe Cup knew any Amish songs. We tried “Amazing Grace.” Probably a first for Green Road Synagogue.   The Amish liked the song.  We also played a Yiddish vocal, “Di Grine Kusine” (The Greenhorn Cousin), which the Amish didn’t seem to go for.  I thought they would like our Yiddish repertoire,  since the Amish speak Pennsylvania Dutch.

Now I know:  go easy on the Yiddish at Amish-Jewish parties.

Alan Douglass, Yiddishe Cup’s keyboard player, Green Road Synagogue, 2011

—-

The Klezmer Guy trio plays Nighttown, Cleveland Hts., 7 p.m. Tues., April 23.  $10.  Play it safe and make a res:  216-795-0550. 

An evening of social commentary, plumbing tips, and song.  As if Garrison Keillor was raised on pastrami. 

Alan Douglass, piano and vocals; Bert Stratton, clarinet and prose; Tamar Gray, vocals . . .

Next week “Klezmer Guy” posts up on Tuesday (April 23) instead of Wednesday.  Just so I can remind you one more time about the April 23 Nighttown gig.

Mazel Tov to Sen. Jack Stratton (I-Calif.) for reaching his goal on Kickstarter.  His band, Vulfpeck, hit the mark today.

Jack the Tummler . . .

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April 17, 2013   1 Comment