THE GOOD, THE BAD
AND THE NUANCED

Stan Herschfield paced his apartment at 3 a.m., waking up the tenants below. I asked Herschfield to ease up, and he said, “What do you want from me? I can’t fly.” He moved out shortly after that. About 10 years later, he called me: “Stratton, you remember me — Herschfield. I want to move back in.”

“Herschfield!” I said, emoting like I was in a bad JCC play. “You painted the floor! You complained about the deaf guy across the hall blasting organ music! You complained about the people below you fornicating! You skipped out on your final month’s rent! It cost me fifty dollars to clean the place. But you did teach me some Yiddish words.”

“I didn’t skip! Those yentzers below, they drove me out!”

“You painted the kitchen floor.”

“But I used Benjamin Moore. Only the best!”

I didn’t let him back. Maybe I should have. I’ve allowed old tenants back in. Usually not into the same suite, but often in the same building. I save records on previous tenants. F. Scott Fitzgerald said bookkeeping is not a sexy subject, but it is somewhat interesting. I wish I hadn’t thrown out my dad’s tax returns, which would make interesting reading now that I’m older and into nuanced returns. I have mini-dossiers on ex-tenants. Nothing personal, no nude posture photos like those Ivy League colleges used to do, just notes on whether the tenant paid his final month’s rent, turned in his keys and didn’t trash the place. If all’s well, I’ll let them back. Could be a decade later. The good tenants, you don’t remember. You have to look them up. Herschfield, I remember.

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