Real Music & Real Estate . . .

Yiddishe Cup’s bandleader, Bert Stratton, is Klezmer Guy.
 

He knows about the band biz and – check this out – the real estate biz, too.
 

You may not care about the real estate biz. Hey, you may not care about the band biz. (See you.)
 

This is a blog with a gamy twist. It features tenants with snakes and skunks, and musicians with smoked fish in their pockets.
 

Stratton has written op-eds for the Wall Street Journal, New York Times and Washington Post.


 
 

DOUBLE PORTION OF MANNA

Not too many sidemen care about the contract.  They just want to know their cut.  And that’s the way it should be.  The sidemen aren’t dealing with the kvetching bar mitzvah moms and uptight brides.  And they aren’t having meetings at their houses discussing whether the bride is going to circle the groom or not.  (The bride often circles the groom seven times at a Jewish wedding.)  Or is the dad going to do the welcome toast before or after the challah blessing?

I always try to get paid at the gig — take the client over to a corner table and have him sign the check. I get at least a double portion for being the bandleader. Why?  Because Yiddishe Cup is not just a club-date band. (Club date means private party band.)   Yiddishe Cup is a concert-playing band that rehearses and has ongoing expenses — like advertising and travel expenses.  And I want to recoup that.

In Cleveland if a top-flight musician gets $200 per night, he’s happy.  That’s $50 an hour.  I pay my guys more.
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Tomorrow:
AT THE A.K. LODGE . . . Where the old guys hang out.

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